Write about the ways enjoy is explored in two soliloquies. One from Romeo and Juliet, and one from Othello. Write about the ways like is checked out in 2 soliloquies.
One from Romeo and Juliet, and one from Othello. A Soliloquy is a dramatic strategy utilized in plays to convey to the audience, a character’s true most inner thoughts, feelings and feelings. Shakespeare is famous for using soliloquies to put the audience in an omniscient position, enabling them to establish an intimate relationship with the characters, often creating dramatic irony and tension.
Shakespeare reveals the theme of death throughout Romeos soliloquy to enable the audience to empathise and feel pathos towards Juliet “Death that hath suck the honey of thy breath”. The word “breath” is paradoxical and is symbolic of how Romeo can not bare to be without Juliet, so much so that he feels the sensation of suffocation. Remarkable irony is also evident as the audience understands that Juliet is still alive; this sentiment provokes feeling as the audience wants for Romeo to see that she is not dead.
Also the truth that love is blind plays a paradoxical nearly amusing part here as Romeo is failing to see Juliet is still alive. The theme of death continues as Shakespeare personifies death throughout the soliloquy to present it as a more sinister force and competitor for Juliet’s love: “shall I think that unsubstantial death is amorous? And that the lean abhorred beast keeps thee here in the dark to be his concubine?” The unfavorable language unfavorable language used to personify death, “lean abhorred beast”, shows Romeos sense of disgust but more notably, the fear that death has taken Juliet from him.
Romeo’s fear is clearly expressed when Shakespeare writes: “For worry of that I still will remain here with thee/here i will remain”. The repeating of “here” communicates Romeos decision to stick with Juliet to the extent that he will take his own life. For that reason, the audience get the impression that Romeo feels he must eliminate himself to preserve their love, a quality which links with his hamatia. In addition, Shakespeare uses the ongoing lexical field of death to produce a sense of foreboding and heighten the significant paradox.
The primary protagonist Romeo personifies death utilizing a metaphor to express its seriousness. He discusses how death has actually not “conquered” Juliet’s beauty “yet”. The word yet implies that death is unavoidable which links to the expression “star crossed lovers” that is provided in the prologue. Elizabethan people were extremely superstitious and believed heavily in fate which would have contributed to the many characteristics that make Romeo a tragic hero. “And deaths fade flag is not advanced there. Shakespeare’s usage of nautical language is used to infer how Romeo has actually almost been “shipwrecked” (as he says later in the soliloquy) which highlights his privacy and his insufficient sensation he feels without Juliet present. In Addition, the audience so observes that Romeo’s obsessive and genuine love for Juliet contributes to his fall from grace and considerably sticks to his hamartia. “Thee here in dark to be his paramour/here’s to my love”. Dramatic paradox and a paradox of light is utilized her to show Romeo’s possessiveness and impetuousness.
The fact that he says “my” reveals his compulsive naivety, as he almost likes Juliet excessive so to speak. It is clear for the audience to see that Romeo is ruled by fate, doomed from the start. A contemporary audience would have exceptionally disagreed to this values as in a modern-day method we believe that we select or make our own “fate”. Contrastingly Shakespeare uses effective repeating to stress the significance and intensity of Othello’s opening line. Making use of monosyllabic words creates stress, highlighting Othello’s cooling tone. It is the cause, it is the cause my soul “. Here Othello is resolving his soul and conscience, attempting to validate the awful act which he is about to commit; however in his mind he currently has actually established the inevitability of his actions. The truth that Othello utilizes the word “It “shows he can not bring himself to name the act that Desdemona has allegedly dedicated. Even this early in the soliloquy, the reader can plainly identify Othello’s hamartia (the characteristics that make an awful hero).
We see his severe errors in judgment (thinking Iago without proof) which later leads him to devoting the dead (Taking Desdemona’s) that leads to his downfall. Additionally, Othello alters the address of his soliloquy from his inner self, to the “Chaste stars “. It is a frequently known fact that the Elizabethan era were very superstitious; so it is really easy to understand that they might empathise with Othello’s “cause” and comprehend his alliance with the stars. “Let me not call it to you, chaste stars “.
This is similar to the beginning in Romeo and Juliet, where it refers to “star crossed lovers “, the audience can now see a clear connection between obsessive love and death, which is sad as in both plays the deceased lovers are” innocent “. Here Othello is further trying to assure himself that he is doing the just thing; that his actions are almost written in “alabaster “unavoidable. Referring to the “chaste stars” is also part of Othello’s hamartia; the idea of being doomed from the beginning.
Also his obsessive, overpowering love for Desdemona, distorts his perception of truth, which is why he failed to find the lies being fed to him by Iago. Shakespeare uses dramatic irony to highlight Desdemona’s innocence, the truth that Othello states “chaste “is nearly humorous as the audience knows that Desdemona is entirely innocent, never dedicating adultery in her exceptionally brief life. Just as Romeo mentions Juliet’s charm, even in death, to stress his love for her, so too does Othello in acknowledging Desdemona’s external perfection and beauty. “… hiter skin than snow/And smooth as monumental alabaster …” Here Shakespeare uses and extended metaphor, which is ironic as Othello is comparing Desdemona to white snow, white being symbolic of innocence and pureness which paradoxes the disgusting dead which he is about to devote. Shakespeare use of metaphorical language here strongly reflects Othello’s extreme love and adoration for Desdemona. The reality that Othello raises Desdemona to a position of “Monumental” excellence shows that he is savouring her appeal prior to validating his resolve that “she need to pass away”.
Moreover, Shakespeare’s clever use of significant paradox and capability to control the audiences’ emotions through effective essential verbs is displayed in this part of the soliloquy. “Yet she must die, else she’ll betray more guys”. Othello’s resolve is highlighted by a break in the circulation of the verse, stressed by a colon. This break represents his sadness, regret and anguish. The truth that Othello is a “Moore” suggests he suffered both outwardly (seclusion and alienation attacks) and inwardly (tortured conscience). Regrettably the finality of this statement communicates to the audience the severe truth that Othello is going carry out this oppression.
Likewise this specific line said by Othello relate to what Brabantio (desdamona’s dad) says in the start of the play “Seek to her, Moor, if thou hast eyes to see: She has tricked her daddy, and may thee”. This here is really ironic, as Othello is going to murder Desdemona for the exact thing her dad alerted him about, except she has not committed the act. We the audience feel pathos toward Desdemona as even her dad had a false predicament and made a severe error in evaluating his own daughters character.
Unsurprisingly this relate to Romeo and Juliet’s battle to be together as a result of the “family feud”. Love is portrayed to be a hardship in both plays, which may be one of the factors the love is so obsessive and unhealthy. To conclude, I believe that the theme of love is convayed very efficiently in both Romeos and Othello’s soliloquy. Both conjured up a range of feelings and enable the audience to truly connect with the characters. An excellent quantity of remarkable irony and tension is delivered at critical points in both plays where compulsive result in the suicide of Juliet and contrastingly the murder of Desdemona.