The Image of Dorian Gray
Oscar Wilde, author of The Photo of Dorian Gray, was an Irish author who lived from October 16, 1854 up until his death, at the age of 46, on November 30, 1900. He went to the Trinity College in Dublin, Ireland and the Magdalene College in Oxford, England. Mr. Wilde was an active member of the aestheticism literary motion, throughout his day, although he lived during the Victorian Era.
In The Photo of Dorian Gray, there are numerous passages or episodes that hold crucial significances in the book as a whole, and without them; a big quantity of the underlying tones and styles would be lost. In chapter two, there is a very significant crucial passage that has to do with the roles of Lord Henry and Dorian Gray and how they are going to impact each other. The essential passage pushes Lord Henry under the function of the victimizer and Dorian Gray as the victim.
In the passage, a prolonged metaphor is used symbolically comparing Lord Henry to a bee and Dorian Gray to a flower. Straight off the bat, at the beginning of the passage, Dorian is defined as wondering, innocent and ignorant through the diction of the words “open-eyed” and “wondering” when it is said that he “… listened, open-eyed and wondering,” since those are the types of words used when describing a child hearing completion to a new story or discovering the truth behind a secret (page 23).
The diction of “scramble” likewise calls attention to the bee because it has an undertone of rush, personifying the bee as remaining in a rush. This is substantial because the personification links Lord Henry to the bee considering that they are both in a rush; the bee to get the nectar from the flower and Lord Henry to take control of Dorian Gray before Dorian’s charm vanishes. The symbolism of Lord Henry as the bee and Dorian Gray as the flower begin to press towards the idea that Lord Henry is the victimizer and Dorian Gray is the victim.
This is shown in the passage when it is stated “… The flower appeared to tremble,” which is something that a human would do after having been attacked or while experiencing extreme worry, therefore triggering the flower to be personified as having emotions of terror (page 24). The personification of the flower as having actually just gone through an attack enables the same experience to be associated with Dorian Gray in the sense that he has actually been attacked by Lord Henry; not physically, however psychologically and mentally.
The centerpiece that triggers Lord Henry to end up being the victimizer and Dorian Gray to end up being the victim here is since of the entire situation of the bee and the flower. Because the flower can not avoid the bee, the bee can take what it desires without the flower being able to stop it. This develops a gothic setting of being caught within impermeable walls. Though, from the outdoors, Lord Henry’s victimizing might be obvious; it is well hidden to Dorian Gray. Among Lord Henry’s qualities is deception, and in the novel he uses it to control others, Dorian Gray in specific.
In the passage, the inclusion of the thrush starting to sing and the pear tree at the end of the passage signify how Lord Henry’s beautiful voice and incredulous wisdom blinds Dorian Gray to the truth that he is being taken advantage of. The diction of the thrush and the pear tree are so valuable because the thrush bird supposedly has the most stunning singing voice of all the other birds, so that represents Lord Henry’s voice. The pear tree has an undertone of comfort, so it represents how Lord Henry is pretending to be soothing Dorian Gray while, in truth, he is trying to control him.
In the key passage of chapter 2, symbols prevail. While the flower and bee were agents of the victim and victimizer mix of Dorian Gray and Lord Henry, the thrush and pear tree represented the calming combination of Lord Henry’s soft, beautiful voice and his wise, comforting mind. All of these pieces fit together to produce an image that associates with real life since for the most part, people are hedonistic animals, and we get a kick out of having power or our influence over another individual, simply as Lord Henry gets a kick out of remaining in control over Dorian Gray.