The Photo of Dorian Gray
“Beauty is in the eye of the beholder.” This popular line clearly describes the differing point of views that individuals have when it comes to the concept of charm. Beauty is subjective as a specific might believe that something or somebody is stunning while another person may have the exact opposite viewpoint.
The subjectivity of charm could also be seen in the choice of an individual due to the fact that she or he may have various definition of appeal based upon his/her likes and dislikes. The various perception of people when it concerns this matter also impacts the influence of appeal when it comes to their decisions and actions.
As such, it might be stated that the idea of beauty might have a positive or unfavorable impact when it comes to the life of an individual. This kind of expression might be exemplified in the book written by Oscar Wilde entitled: The Image of Dorian Gray. In this novel, Wilde goes over the principle of aestheticism as one of the significant styles in this book.
He likewise highlights this concept of charm as it comprehended throughout the Gothic Victorian age. Wilde had the ability to explore the subjective meaning of appeal through the primary characters in his story.
Summary of the Unique
The very first interaction of the main characters occurs in the stately London house of Basil Hallward’s auntie, Woman Brandon. Basil Hallward, is well-known artist who was instantly drawn to a guy named Dorian Gray. Dorian Gray is a cultured and rich young man but his most remarkable quality is his flawless beauty that tends to stand apart from the rest.
When Basil Hallward satisfies Dorian Gray, he was instantly drawn to him as Dorian Gray was able to catch his artistic creativity. Basil Howard was able to encourage Dorian Gray to posture for him that enables him to make a number of pictures of him. His idolization for his design is clearly viewed as he typically refers to Dorian Gray as an ancient Greek hero or a mythological figure.
During the beginning of the novel, Basil Hallward is completing his first portrait of Dorian Gray. In this scene, Lord Henry Wotton is currently present and Basil Hallward is telling him the way by which the painting dissatisfies him as it exposes to much of his individual sensations for the design.
On the other hand, Lord Henry disagrees with Basil Hallward’s viewpoint as he thinks that it is the artist’s work of art. Lord Henry is well-known for stunning and scandalizing his pals because of his mindset of celebrating youth and beauty as well as pursuing self-centered enjoyments.
While Basil Hallward and Lord Henry were having their conversation about the portrait, Dorian Gray gets to the studio. Basil Hallward unwillingly presents Dorian Gray to Lord Henry because he was afraid that the latter may affect Dorian of his worldly perspective about life (Wilde).
The fears of Basil certainly have a basis as Lord Henry already talks with Dorian about the transient nature of appeal and youth or what is frequently described as a brand-new hedonism. This conversation deeply affects Dorian as he believes that his most important characteristic is his youth and appeal, which is fading day by day.
As such, Dorian become really disappointed with his portrait as he believes that this would just be suggestion of his charm and youthfulness as soon as he has currently lost it. In a minute of distress and frustration, he made a pact in which he would exchange his soul in exchange that his painting would bear the burden of age and infamy that would make him young permanently (Wilde).
As the weeks goes by, the impact of Lord Henry to Dorian was additional magnified. Dorian becomes a follower of the “brand-new Hedonism that makes him devote his life and his purpose towards the pursuit of satisfaction. He falls for Sibyl Vane, a young actress who has extraordinary acting capabilities.
Nevertheless, Sibyl started to lose her acting skills as her love for this profession began to fade away when she experience what genuine love is with Dorian. Due to this, Dorian breaks his engagement with Sibyl as she just likes the actress for her acting skills and due to the fact that it is gone already his feelings for her likewise disappears.
Upon returning home, Dorian notifications that his portrait already alters as his face their was not as stunning as in the past. This confirms that the pact that he made certainly came to life. He was contemplating his action when it concerns his treatment of Sibyl as well as the event that his picture would take the problem of all the wicked things that he is going to do.
He chose to apologize with Sibyl in order to avoid the circumstance from getting worse. Sadly, he learnt that Sibyl committed suicide (Wilde).
Lord Henry had the ability to encourage Dorian that what occurred with Sibyl is not his fault which he need to see it as a personified tragedy and just ignore it. Dorian continues with his pursuit of satisfaction and this further heightens when Lord Henry offered him a book about the wicked exploits of a nineteenth-century Frenchman.
This makes him dedicate more sin until he is living a life of corruption and unfortunate habits that do not take into account social morality. Basil becomes extremely concern of Dorian’s track record and when he saw the very hideous picture of Dorian he asks him to repent. Dorian thinks that it was currently far too late for forgiveness and ended up eliminating Basil because of anger (Wilde).
Dorian was able to look after Basil’s body by blackmailing his doctor good friend to help him. After the murder, he went to the opium den where he meets James Vane, the brother of Sibyl. James guarantee himself that he would eliminate Dorian for injuring his sis. However, he did not succeed due to the fact that he was eliminated in a crossfire.
Dorian wishes to alter his ways however when he see his picture he deems that doing so would be a simple hypocrisy. He chose to stab a knife in the chest of his picture. He was later discovered dead his room and he looks old and extremely horrible while his portrait return to its young and lovely state (Wilde).
Based upon the summary, it could be stated that Dorian Gray views charm as the most important product that could be seen through his physical look and youthfulness. It is rather observable even in the start of the novel that Dorian gives a lot value to his remarkable appeal since it made other people pay attention to him and appreciated him. This is proven to be true when Basil Hallward asks him to be his model that produces several portraits of him.
Dorian Gray’s fascination for his appeal and youth takes the next level when he satisfied Lord Henry. Lord Henry had the ability to persuade him that in order to live a complete and pleased life, he ought to pursue all ways of pleasure. He was quickly encourage by Lord Henry because he currently has this desire in him, it just become more evident through the persuasion of the lord. Later on, it had not been difficult for Dorian to live a life that is merely base upon seeking enjoyment.
This is plainly exemplified by Dorian’s choice to end up being a fan of the brand-new Hedonism. Dorian was likewise able to reveal that he certainly worth his appeal and youth than anything else. This is checked during his relationship with Sibyl Vane. He broke up with Sibyl as she lost her exceptional acting capabilities, which points out that even in terms of taking care of another individual his viewpoint of appeal does not dig deep side from the acting ability of Sibyl.
Afterwards, he feels guilty of what he did and was even thinking about repenting but his concept of charm that is defined by his appeal and youth still rules supreme. He continue to seek for satisfaction and it even gets worse to the point that he forgo his sense of morality. These incidents only show that Dorian views appeal as the most valuable characteristic of an individual that is seen in his/her physical appearance, youth, and skills.
On the Other hand, Basil Hallward’s viewpoint of charm is not simply measure on physical appearance or youth like Dorian Gray however rather it has more to do on how an individual is influence by something or somebody’s beauty. This is shown by Basil’s attitude toward Dorian Gray. Upon the first meeting of these two characters.
Basil currently feel an uncommon drawnness to Dorian due to the fact that of the latter’s remarkable appeal. However, the aspect that makes Basil idolize Dorian is not simply his beauty however his effect on him. When he saw Dorian his creative senses developed even more. The beauty of Dorian works as a motivation for Basil that makes him make exceptional artworks like the picture of Dorian.
Nonetheless, the viewpoint of Basil when it concerns his picture of Dorian is that of fear and frustration due to the fact that he claims that he reveals too much of him. It exposes his sensations of utter adoration for Dorian, which likewise a reason for fear since he is revealing to those who would see the pictures the individual side of him, which need to not be the case as art need to be regarded as a simple work that does not indicate anything (Wilde xiii).
In this sense, Dorian indeed has a big effect in the work and even the life of Basil. It might even be said that Basil has much deeper feelings for Dorian than the simple painter-model relationship. This is rather observable on the by which he describes Dorian as a Greek god or a mythological figure. Another instance of Basil’s concern for Dorian is when he doing his best to ask him to repent, which he wound up compromising his life for.
The distinction that Basil Hallward has with Dorian Gray is that charm tend to inspire him rather of making him sink in sins and immorality. Basil may fear the feelings that Dorian stimulates in him however this is just because these feelings are genuine. Basil had the ability to be in touch with his creative senses and his emotional side.
The charm that he saw in Dorian likewise enables him to take care of another person, which is seen on his concern over the welfare of Dorian. As such, it might be said that Basil’s perspective of charm helps him to recognized a deeper part of him.
Lord Henry Wotton
The point of view of beauty of Lord Henry Wotton tends to have similarities and differences with the views of the 2 other main characters. Lord Henry Wotton views appeal as the pursuit of all type of enjoyment, which he could see not simply with beauty and youth but also in other manner ins which are mainly do not adhere with social standards or morality.
In this sense, Lord Henry has a similar view of charm with Dorian as they both believe that it could be found in pleasure looking for however they vary since the latter tends to focus more on his physical appearance and youth.
It may appear like Lord Henry’s meaning of charm is extremely worldly, it could certainly be referred as such however it likewise functions as a driving force for him to make an unique way of thinking. Lord Henry was able to establish his pursuance of satisfaction into a form of thinking that could actually be applied as a way of living.
This is seen in the manner by which he explains his beliefs with Dorian. Despite the truth that other individuals might see that Lord Henry’s viewpoint of charm is not a great way of life to live by it is still good that he was to enhance such type of thinking. In this case, Lord Henry and Basil Hallward has a comparable view of appeal as it works as a driving force for them to establish something, arts for Basil and a various ideology for Lord Henry.
Lord Henry’s perspective of beauty could be considered as superficial by some individuals. However, Lord Henry’s sincerity in indulging with enjoyments of life is also a sense of honesty that is way various from the double life that Dorian was living. Lord Henry was very vocal and demonstrative on how he lives his life despite the approval of lots of people. Nevertheless, this sort of action is likewise a criticism to those people who tend to pretend that they are ethically upright however are actually living an immoral life behind the general publics’ eye.
The discussions above program that the primary characters of Wilde’s novel have their respective distinctions and resemblances when it pertains to their viewpoint of charm. It only shows that beauty is certainly subjective not only in terms on how the people comprehend and use it however likewise on how it affects them.
Wilde, Oscar. The Image of Dorian Gray. New York City: Tom Doherty Associates, 1999.