In The Photo of Dorian Gray, Oscar Wilde demonstrates the corruption of youth by taking the initial innocence of Dorian and turning his worths totally unethical under the control of Lord Henry mainly through the use of symbolism. Despite the fact that he looks as though younger and innocent his picture reveals his really aging and corrupt soul, this and failure in Dorian not taking obligation for any of his own actions is what eventually drives him ridiculous and leads to his death.
Oscar Wilde shows this through significance in 3 different methods; “The yellow book” that Lord Henry offers him, the use of “the color white” in the unique, and the influence that society itself has on Dorian. In the Photo of Dorian Gray, Lord Henry provides Dorian a yellow book in which he does not reveal the name of the book to Dorian. Oscar Wilde describes the book in information explaining that it is a French Unique that speak about rather insane experiences “pleasure seeking” of the main character. The book gradually ends up being nearly like a bible to Dorian, he purchases various copies of the unique, and surrounds his life around the book, making it his way of living. The book signifies the disastrous impact that art can have. Also its can be viewed as an alerting to such individuals not to entirely dedicate themselves to art.
Dorian’s shift from an innocent character to a broken down and corrupted being can be shown by the author’s usage of the color white. White means innocence and nothingness, as it does when Dorian’s very first presented. It demonstrates the pureness of Dorian’s boyhood that Lord Henry discovers so intriguing. Basil calls on “whiteness” when he discovers that Dorian has quit his innocence, and, as Basil can do absolutely nothing but appearance in horror at the as soon as stunning portrait now messed up, he estimates a verse from the Book of Isaiah: “Though your sins be as scarlet, yet I will make them as white as snow.” Sadly there was no reversing for Dorian. It is shown a lot more when he orders flowers, he requests as few white ones as possible. When the color appears in the type of James Vane’s face “like a white handkerchief” peering in through a window, it has actually been significantly altered from the color of innocence to the color of death.
This I what makes Dorian want in the end, for his “rose-white boyhood,” but the hope is in vain and he is unable to wash away the spots of his sins. In the Photo of Dorian Gray society has a very large impact on Dorian in the manner in which he will do whatever it takes to stay lovely. It is revealed many times in the story that he refuses to take obligation, gets individuals killed, and is perfectly great with it because it is not him. For example, in chapter 8 Sibyl kills herself because Dorian no longer likes her and Dorian finds peace with himself rather rapidly after Lord Henry persuades Dorian it’s not a huge offer. Dorian then goes to the opium den and choses to convince himself that Sibyl’s death was simply a creative ending.
In Chapters 9 and 10 Basil admits his love to Dorian and attempts to function as a good impact trying to somehow redirect Dorian but his attempt is useless as Dorian neglects him. After spending the next twenty years or so living just for enjoyment Basil attempts again and faces Dorian trying to caution him about the consequences of sin. Neither listening or taking mind of what Basil is stating, Dorian mocks Basil’s morality and reveals the painter how he handled to get away the tell-tell signs of sin. And after that kills him. Once once again rather of taking responsibility for what he has actually done he chooses to keep his role of innocence and blackmails a pal into getting rid of the Basil issue. When Dorian’s innocent appearance is jeopardized by Sybil’s bro who has sworn vengeance for his sister, and ends up dead. Dorian has no remorse; instead he is happy that he has yet once again “left” difficulty.
The Photo of Dorian Gray. 1890.
Great News Bible. Susan Lightly, ed. Birmingham: Liturgical Publications, 1954. “Victorian England.” Victorian England. N.p., n.d. Web. 27 Sept. 2012. <