12 Angry Guys is a very well made black and white film written by Reginald Rose and produced by Reginald Rose and Henry Fonda. The fundamental plot of the movie is about a jury of twelve guys who think about a case together to decide upon the redemption or fate of a young kid who allegedly killed his daddy. A number of elements in the production of the film are subtle yet obvious, and are necessary aspects which help cultivate a much deeper drama. Things such as camera angles, the observation of facial features, physical items in the room the jury lies in, and also the setting of the story all contribute to the dynamics in the movie. Particularly, the producers use the murder weapon and the weather condition to build and drop stress throughout the extreme exploration of the trial.
The murder weapon initially appears in the motion picture when among the guys brings the knife into concern. As the jurors figure out the knife’s importance, the stress in the space is raised a little when the male dealing with the knife stabs the table with it. The camera angle at this second is focused on the knife as it grinds into the wooden table. Tension is increased likewise when another juror shows that he was able to easily get the same kind of knife. Again, he knocks it into the table, all while the space emerges into loud quarrels. This is the producers’ method of adding a dynamic aspect to the film, and it works well.
The filmmakers utilize the knife again later when a various man starts the subject of how the knife injury was made. One of the males to plead guilty provided to give a presentation on one of the males claiming innocent. As this guy holds up the knife pretending to be the young boy stabbing his daddy, tension swells really intensely. All the guys are quiet and staring wide-eyed at the performers. The man raises the knife like he is going to kill his fake foe, the other men object condemningly. The manufacturers’ strategy to increase the stress in this way is definitely innovative.
Together with a well-used symbol to create stress in their movie, the moviemakers use a little detail such as the weather condition to construct tension. At the beginning of the story, it is really hot and damp. All the males appear to sweat. When the jurors begin their dispute, the guys appear agitated and not actually rational and appear to wish to get over and done with their task of determining a decision. They seem sidetracked, a possible result of the weather condition throughout the start of their analysis. Tension currently exists in between the males. The producers desire it to seem in this manner perhaps because each male privately has his own opinion and do not want the others to know because they all simply want the debate to be ended up. The trial discussion continues. A couple of minutes after the votes end up being six to six, it begins to rainstorm. This is the filmmakers’ way of altering the tension when again. Given that the early heat signifies distraction and tension, the rain symbolizes logical reasoning and less stress. More men understand that the final decision of the jury identifies the fate of a young kid.
In conclusion, filmmakers Reginald Rose and Henry Fonda created a wonderfully designed motion picture. Their contrast with different aspects to draw attention to stress is carefully crafted. These hints are noticeable just a little, and to be able to comprehend what the manufacturers were thinking while making the film is enthralling. The producers’ use of a small information like weather to supply stress modifications is a good usage of setting. Their usage of crucial things like the killing knife is intelligent.