The Catcher in the Rye – Full-length Novel

The Catcher in the Rye– Full-length Unique

J. D. Salinger’s only released full-length book, The Catcher in the Rye, has actually become one of the most enduring classics of American literature. The book’s story is told in retrospect by the primary character, Holden Caulfield, while remaining in a psychiatric medical facility in California. This is a coming of age tale that is wrought with irony. Holden Caulfield, Mr. Antolini, and Phoebe are the main symbols of paradox. The first and most obvious subject of paradox is the novel’s lead character, Holden Caulfield. His hatred for anything “fake” is paradoxical due to the fact that he to is deceitful.

He is constantly performing by taking a brand-new identity for each new scenario he is in. For instance, in the train scene he comprises stories about one of his classmates in order to thrill his classmate’s mother. He not only initiates a brand-new identity for himself, however he also generates a whole brand-new imaginary account of life at Pencey Preparation. He even admits that he is a remarkable liar. Due to the fact that of his hatred for anything artificial, he looks for something real. In his naive and desperate method he is looking for anything which is innocent and sincere (Parker 300).

He daydreams about removing himself from society and ending up being a reclusive deaf mute. Regardless of his independent character, he plainly demonstrates how badly he requires friendship. His ideas are constantly of his sister, Jane Gallagher, and additional people. Another fantasy of Holden’s is to be the “catcher” of kids’s innocence. Holden’s dream elaborates his fixation with innocence and his possibly surprisingly moral code (Walters 1009). Nevertheless, it is clear that his real desire is to be restored from the emptiness of his negativism.

This is recognized when he telephones Mr. Antolini and when he admits that he almost hopes that his parents will capture him as he sneaks out of the apartment or condo. The Catcher, in fact, wants to be caught, the saviour conserved (Engle 45). Mr. Antolini is the topic of irony because he is really a “catcher,” even though he is a different sort of catcher from the one Holden imagines. Holden believes that he has actually already fallen over the cliff into the frustration that immediately fits with adulthood. He felt the world has let him slip trough the fractures alone and unassisted.

For that reason, one of the reasons he wishes to “catch” the kids is because no one was there to catch him. However, it appears that Holden has actually not yet fallen, but is just beginning his downward spiral, and Antolini is the one playing the role of the catcher. Holden seems to believe that he does not have any innocence left throughout his journey. In spite of this, he is still similar to a child, and it is Antolini that sees this. Mr. Antolini knows that Holden is headed towards a terrific fall, and cautions him about it. “I sense that you’re riding for some kind of terrible, horrible fall.

However I do not truthfully understand what kind” (Salinger 186). The fact that Mr. Antolini is trying to prevent Holden from “a fall” clearly corresponds with Holden’s picture of the “catcher in the rye.” Nevertheless, the type of fall he explains is various from the one Holden photos in his fantasy. It is perhaps Antolini, above the a number of other flawed individuals he fulfills, who embodies the moral vacuum and irrelevance of Holden’s world (Rollins 301). The most substantial irony in the book is the role that Phoebe plays. Holden thinks that children are the only ones that are not damaged by the deceitful society in which they live.

The primary reason Holden wants to be a protector is to keep kids from growing up and ending up being fake and deceitful as he feels most grownups have ended up being. Holden’s sister, Phoebe, is his connection to kids, and he does not desire her to alter. Holden believes that he could be the one to save Phoebe when it is her turn to “fall.” Paradoxically, she is the one that requires Holden to realize that he should mature, and that the world is to be loved. His rejection to enable Phoebe to accompany him and his anger with her for even wanting to go shows that he is not as pushed away from his world as he expects.

He tells her that she can not go with him, which she needs to go back to school. In this scene, it is evident that Phoebe is now acting like him and taking on his function. This forces Holden to imitate a combination of Mr. Antolini, and Phoebe as she had actually been on pervious nights. When evaluated, his love for his sis and his yearning to protect her pureness is far more remarkable to his abhorrence for the world and his decision to desert it. His love of excellent is more powerful that his hatred of evil. Thus, paradoxically, he is conserved through conserving. The person he most wishes to capture catches him.

The theme of irony can be discovered throughout J. D. Salinger’s The Catcher in the Rye. Holden, Mr. Antolini, and Phoebe represent this theme. This maturing story is easily turning into one of American literature’s greatest classics. In a passage from the unique, Holden states: “What actually knocks me out is a book that, when you’re all done reading it, you wish the author who composed it was a great friend of yours and you could call him up on the phone whenever you seemed like it” (Salinger 18). J. D. Salinger is not offered for telephone call, however generations of readers have felt that the book alone provides that kind of close connection with its author (Guinn).

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