Romeo and Juliet Research Paper
Prof. English Might The Real Hero: The Superior Character in Romeo and Juliet The play of Romeo and Juliet is various from William Shakespeare’s other disasters in that there is not a clear difference of specific heroes. The two lead characters are more passive than active; both are ignorant and doing not have understanding. The hero is often believed to be the romantic, yet often hysterical, Romeo. However Romeo’s immoral background, psychological outbursts, incident murders, and absurd actions make him a poor prospect for a hero. Juliet shows to be more innocent than Romeo because she has more extensive ethical ethics.
Juliet is also more successful in conquering the barriers that she is faced with throughout the play. While both characters are not without faults, there is more understanding towards Juliet’s regrettable actions than that of Romeo’s. Through these principles, the character of Juliet is seen to be the superior character and the true heroine in Romeo and Juliet. Before her first conference with Romeo, Juliet is seen to be an innocent, young woman who is in a protected state; she exists in the care of her parent’s and nurse.
When asked by her mother if she can like Paris, Juliet replies, “I’ll look to like, if looking liking more;/ However no more deep will I endart mine eye/ Than your authorization offers strength to make me fly” (1. 3. 98-100). It is surmised that there are couple of big choices that she is able to make without the authorization of her parent’s whom she desires to please. Juliet’s innocence is additional demonstrated as ideas of love and desire seem entirely missing in Juliet’s mind.
Her innocence towards sexuality, being just thirteen years of age, is not uncommon; however, she is pronounced by her mom to be old enough for marital relationship: “Well, think of marital relationship now; younger than you,/ Here in Verona, girls of esteem,/ Are made currently mothers …” (1. 4. 70-72). Juliet states of marriage, “It is an honour that I dream not of” (1. 4. 67). Although her innocence goes hand in hand with her youth and ignorance, her lack of knowledge seems to have fastened excellent worths in her. This reveals that in the beginning of the book Juliet is sexually inexperienced and obedient to her moms and dads thus portraying her strong ethical ethics.
Juliet’s ingenuousness and sexual innocence are contrary to Romeo’s character. When Romeo initially comes onto the scene, he proclaims that he is in love with a woman named Rosaline and states that “She is abundant in beauty …” (1. 1. 214). Rosaline has sworn chastity and wants absolutely nothing to do with Romeo. But, this doesn’t stop Romeo from participating in a celebration to see her, where his mind is rapidly turned away from Rosaline as he sets his websites instead on the young Juliet. He speaks applauds to Juliet’s appeal before ever uttering a word to her phrase, “Did my heart love till now?
Forswear it, sight!/ For ne’er saw real charm till this night” (1. 5. 55-56). Both of these attractions are deduced to be sensations of simple infatuation. Romeo’s lusty desires and sexual experience are more portrayed by the characters of Romeo’s kinsmen. Romeo carouses with “lusty gallants” such as Mercutio and Benvolio, who stalk the streets in the evening speaking of female as sport. However, whether the union of Romeo and Juliet is formed from love or lust, the dedication that the one holds for the other is shown real throughout the course of the story.
It is certain that Romeo is easily convinced by desire in the start of the story, but once Juliet shows up on the scene, “the mutual tourist attraction is so strong that any further of his fickleness is squandered” (Stauffer 29). Half method through the play, the friar rebukes Romeo, “for doting, not for caring …” (2. 3. 82). However, the friar does authorize of the love affair between Romeo and Juliet, which appears when he marries them and tries to assist them to be together. The friar’s ultimate goal is to put an end to the feud in between the Montagues and the Capulets by bringing the 2 families together through Romeo and Juliet’s love.
Paul Jorgensen states, “Juliet has actually not had to enhance; however Romeo, in the beginning a whimpering lover of himself in the function of enthusiast, enthusiastic however not genuinely connecting of himself, has much to discover” (33 ). Throughout the story, Juliet shows her ability to overcome barriers as she starts to take control of her destiny and no longer resides in the shadows of her moms and dads. Due to the fact that of her love for Romeo, she is deserted by her dad, mom, and nurse. She is practically entirely alone when Romeo is banished. But she declines to reverse; she will not ignore Romeo and embrace Paris in marital relationship as her moms and dads’ desire.
Romeo is confronted with similar oppositions as Juliet. His family, being sworn enemies to the Capulets, are kept in the dark about his romance with Juliet. Likewise, when the Capulets begin to view of the close relationship in between Romeo and Juliet, it makes him a greater target to Capulet males such as Tybalt. There is no doubt regarding Romeo’s loyalty towards Juliet and his desire to do all that is needed in order to have her love, but due to the fact that of his lack of experience in life, Romeo is not at all supreme. Maybe the most noteworthy act that sabotaged his relationship with Juliet was his slaying of Tybalt.
However honorable and required it may have appeared to him at the time, Romeo’s rashness when again rears its unsightly head after Mercutio mistakenly produces his own death. Of course, Romeo immediately regrets his impetuous actions after the grave mistake had actually already been done as he does sometimes throughout the story. On a number of celebrations, both Romeo and Juliet have the sensation that unidentified consequences are prowling over the horizon. But these premonitions do not cause them to slow down. Even prior to his conference with Juliet, Romeo says, For my mind misgives
Some consequence, yet hanging in the stars, Shall bitterly start this fearful date With this night’s revels, and end the term Of a despised life closed in my breast, By some disgusting surrender of unfortunate death. (1. 4. 106-11) Juliet later on has similar ideas of foreboding, saying of Romeo, O God, I have an ill-divining soul! Methinks I see thee, now thou art so low, As one dead in the bottom of a burial place. Either my vision fails, or thou lookest pale. (3. 5. 54-57) If the either had actually hearkened the cautions they perceived, there is a likelihood that their lives would have been spared.
From the beginning, Romeo is shown to be a guy of extreme passion and has emotional outbursts a number of times throughout the play. These minutes of hysteria development after Romeo slays Tybalt and is eliminated from Verona. Romeo’s melancholic behavior is taken to a brand-new extreme when he threatens suicide after he is exiled. This is when the sensible friar shouts some useful words to Romeo: Hold thy desperate hand: Art thou a guy? Thy type cries out thou art: Thy tears are womanish; thy wild acts signify The unreasonable fury of a beast. (3. 3. 108-11)
Romeo’s tantrums portray his ignorance in youth which misshapes his mind from thinking more clearly; this may have avoided his and Juliet’s deaths completely. In the end, “the dangerous fault of the 2 lovers is their extreme rashness” (Stauffer 30). As Romeo and Juliet are accumulated with such excellent intensity, their illogical actions are the primary cause leading up to their death. Catherine Belsey states, “desire undoes the dualism sound judgment seems so frequently to consider granted” (47 ). They are both at fault for their premature deaths from nearly the very start of the story.
Romeo’s rashness is seen as he puts his life in threat when he climbs over the wall to see Juliet on the first night of their meeting. Juliet’s careless behavior is recognized when she desires marital relationship on that very same night. An absence of care is likewise evident when Romeo kills Tybalt and when Juliet takes the sleeping potion in an attempt to be with Romeo. Their impetuousness is viewed several other times throughout the story as well. If Romeo and Juliet had actually taken a step back or listened to the friar’s words of counsel when he stated, “Sensibly, and sluggish.
They stumble that run fast …” (2. 3. 94), perhaps the grievous end would not have actually come. Instead, Romeo, Juliet, Tybalt and Paris’ lives would have been saved, and possibly eventually a public union between Romeo and Juliet would have been possible. Ralph Berry concludes, “the final occasions are basically simple, and we must respond just to them” (71 ). Perhaps that is what Shakespeare intended, yet the events that unfolded were not unchangeable. Andrews says, “the enthusiasts’ deaths do cause a cessation of civic strife in Verona.
However the cost for this reconciliation has actually been really high-and for the fans inestimable” (564 ). From Juliet’s first encounter with Romeo, she confesses to the severe suddenness of the two fan’s new romance: Although I do joy in thee, I have no joy of this agreement to-night: It is too rash, too unadvis ‘d, too abrupt; Excessive like the lightning, which doth cease to be Ere one can say it lightens. (2. 2. 116-20) But this is insufficient to stop her from rushing forward into the relationship as she proclaims a desire for marital relationship shortly after: If that thy bent of love be honorable,
Thy purpose marital relationship, send me word to-morrow, By one that I’ll acquire to come to thee, Where and what time, thou carry out the rite; And all my fortunes at they foot I’ll lay, And follow thee my lord throughout the world. (2. 2. 142-47) Gray remarks, “Juliet does remain practical and hard-headed sufficient to insist on marriage prior to consummation, however the agreement of love in between Romeo and Juliet can not be consistently carried out in a world of time, and recklessly they draw up a 2nd agreement” (61 ). The second contract that Gray is speaking of, is fulfilled as the two lovers rashly speed occasions forward.
Ending with their sudden deaths. Hallett summarize the last inquiry: “The question most often remaining is who will take duty for the disaster?” (19 ). Although Juliet makes a number of rash choices, Romeo shows to be the hastier of the 2. In effect to a few of his actions, 3 people’s lives are lost including his own. Probably, Juliet’s life is surrendered due to Romeo’s actions as well. Romeo is the older male character, so he is anticipated to be more fully grown and not as emotionally driven in his actions as Juliet, but this does not prove true.
Though he is frequently proclaimed to be the hero of the story, the evidence suggests that his character is inferior to that of Juliet’s whose unfortunate actions can be much better comprehended and invoke lower repercussions than that of Romeo’s. It is shown that Juliet has greater moral ethics and is more successful in getting rid of the difficulties that she is confronted with than Romeo. Thus, Juliet is the single crucial character in the story and the real heroine. WORKS POINTED OUT Andrews, John. “Ethical and Theological Questions in Shakespeare’s Dramatical Functions.” William Shakespeare: His World, His Work, His Impact, Volume II: His Work.
Ed. John Andrews. Vol. 2. New York City: Scribner’s, 1985. Print. Belsey, Catherine. “The Name of the Rose in Romeo and Juliet.” Shakespeare’s Tragedies. Ed. Susan Zimmerman. New York City: St. Martin’s, 1998. Print. Berry, Ralph. “Romeo and Juliet: The sonnet World of Verona.” Awful Instance: The Sequence of Shakespeare’s Tragedies. Ed. Ralph Berry. Newark: University of Delaware Press, 1999. Print. Gray, J. C. “Romeo and Juliet, and Some Renaissance Concepts of Love, Time, and Death.” Dalhousie Evaluation 48 (1968 ): 58-69. Literature Resource Center. Web. 28 April 2009. Hallett, Bryce. All the Passion with Humour and Heart,” Sydney Early Morning Herald 10 June 2006: 19. Literature Resource Center. Web. 28 April 2009. Jorgensen, Paul. “Romeo and Juliet.” English Author Series– William Shakespeare: The Catastrophes (English Authors Series). Ed. Paul Jorgensen. New York City: Twayne, 1985. Print. Shakespeare, William. Romeo and Juliet. The Catastrophes of William Shakespeare (Modern Library). New York City: Modern Library, 1994. Print. Stauffer, David A. “The School of Love: Romeo and Juliet.” Shakespeare, The Tragedies. A Collection of Vital Essays. Ed. Alfred Harbage. Englewood Cliffs, NJ: Prentice-Hall, 1964. Print.