Romeo and Juliet Inevitability of fate
Fate and its intrinsic inevitability have continuously found it’s method into Shakespeare’s work and the work influenced by him, a prime example of this is found within the really prologue of one of his largest pieces of work; Romeo and Juliet. Within the beginning Shakespeare uses many literary methods such as concepts of foreshadowing and dramatic paradox that happen throughout the play, some more apparent that others;’ The afraid passage of their death-mark ‘d like’ this is an apparent sign of the cursed or uninevitable fate that our main protagonists will share at the end of the play.
Shakespeare uses remarkable irony to stress the loss that these 2 share and in turn play to the audiences curiosity. Despite this many readers hardly ever understand that the prologue remains in fact composed in sonnet form; including 14 lines, iambic pentameter and a rhyming couplet at the last line composed. The structure might connote not just the strong love that both Romeo and Juliet share for one another however also perhaps the love of constantly attempting to avert their fate and follow enthusiasm rather than factor.
Romeo and Juliet are constantly seen to rebel against society’s requirements and the policy set by their home, through this we are able to see that all love has an aspect of fate. Whether it be determined, or unavoidable. Similarly, a lot of the poems discovered within the anthology share both the same undertones, structure and vocabulary that we have actually found within the prologue. A primary specimen of similarity would be found within Sonnet 116, written by Shakespeare in 1609.
This, as evident in it’s name is structured in sonnet type simply as we have actually discovered in the prologue, yet again it does not speak directly of love but rather as a description of what love is and is not. ‘Love is not love. Which alter when it modification finds’ Shakespeare here specifies that love is un bent or damaged and therefore can not be produced or damaged, in this context we can suggest that love is for that reason only a path in which one might set upon and that this is decided by only fate, Shakespeare specifies that you can not enjoy who you pick however instead like chooses you. It is an ever fixed mark’ Shakespeare goes on to explain what love is opposed to what love isn’t and therefore sharing a number of similarities to the beginning, again describing love as a ‘mark’ due to his recurring undertone of love and fate within the beginning this might imply that this mark remains in truth fate itself and therefore he enables Romeo and Juliet’s love to reside in the production of his sonnets; ‘love’s not time’s fool’ suggesting love is unlimited despite Romeo and Juliet’s fast approaching death.