Iago preserves an overarching power over Othello in the play. Iago is successful in manipulating both the truth and Othello, explaining Casio’s departure from his conference with Desdemona: “that he would take away so guilty like, seeing you coming”. Iago’s significant gift with language permits him to maintain power over Othello by basically planting doubt in his mind.
Throughout the play, Iago succeeds in controling Othello through his artificial language which depicts himself as an ‘truthful’ friend who is there for support. This is reiterated throughout the play with constant repeating of the word ‘truthful’ when describing Iago and this is highly paradoxical as he is plainly the most dishonest character in Othello. Iago is typically seen enraging Othello by supplying extra, unneeded information about Desdemona’s supposed betrayal. Whilst attempting to remain innocent and of an ethical high ground, Iago’s present with language enables this manipulation to have a higher result on his victim, Othello.
This is clearly conveyed when he explains Desdemona’s unfaithfulness with Cassio where he lies “with her, on her, what you will”. This has a huge influence on the Moor who’s response rages and vicious. Iago’s adjustment is more checked out when he prices estimate after Othello has a epileptic fit “my medicine, work! “. This allows the audience to comprehend Iago’s ideas and provides them insight as he acknowledges that his medication, being his language is having a substantial result on Othello. He is now in complete control and possesses complete power.
Powerplay can be significant seen through the relationship of Othello and Desdemona as she is innocent of all his accusations and only lives to serve him. Provided the context, being Venice and Cyprus in the 16th century the guys are the more powerful and capable whereas females serve a stereotypical purpose. This is also seen in Othello where Desdemona is completely loyal to her husband the Moor as he is in control of the relationship. Typically, nevertheless the powerplay is turned around as Desdemona is capable of persuading Othello with her delicate voice and he becomes her victim.
Ultimately, the both succumb to Iago, the supreme manipulator and this is clear when he goes to Desdemona, asking “Can he be mad?” after she confides in him about Othello’s belief in her unfaithfulness which originated from Iago. This is extremely ironic and makes clear the level of Iago’s power and control over all the characters. The relationship of Iago and Roderigo is based on power and adjustment as Iago uses him for monetary gain. Roderigo is blurred in his ways by his love and desire for Desdemona and Iago recognises and capitalises on the chance he sees by this.
This is plainly seen when Roderigo tells Iago that he will “incontinently drown myself” as he believes he will never have Othello’s better half and after only minutes, Iago has the ability to persuade him to “sell all my land” in order to offer Iago with financial backing. Right away, Roderigo then leaves and the audience is faced with a soliloquy by Iago, describing Roderigo as a “snipe” and describing he has no psychological connection with Roderigo and he just uses him for his money.
This uses insight into Iago, his evil train of thought and his manipulative qualities. Hence it can be seen that Othello clearly offers forward examples of Powerplay which can be taken a look at through relationships within the play. Eventually, at the centre of all Powerplay is Iago who can extraordinary adjustment due to his strong ability with language, with his most obvious examples being Othello, Desdemona and Roderigo. The powerplay is so clear between the characters that is ends up being extremely clear that manipulation is one of the foundations of powerplay.