Shakespeare’s well-known disaster Othello has substantially assisted me form my view of humanity, and understanding of what drives individuals to often immoral action. The essence I have actually drawn from my reading of Othello is that jealousy is a terrific encouraging impact, compelling people to carry out corrupt actions, and destroy previously valued relationships, in order to get what they want. Similar to any valued literary text, Shakespeare’s complex and intriguing characters are an important part of Othello, driving the plot forward and making the scenarios that arise within the play seem credible.
Shakespeare’s manipulative language and his diverse characters are what make his plays so relevant today. A large part adding to Othello’s realistic representation are his insecurities about his background, his appearance, age, speech, and culture, which all lead him to think he does not fit into the Venetian society. His uncertainties make him susceptible to jealousy and susceptible to Iago’s treacherous lies. The style of jealousy is perfectly portrayed by the captivating character Othello, and the effects the understanding feeling has on him.
Through Iago’s calculated control, Othello is encouraged to think that his other half has betrayed to him. The lie triggers Othello to become infuriatingly jealous, annoyed, and not able to control these emotions. This is shown through his use of repetition when he requires “O, blood, blood, blood,” metaphorically wanting his revenge by the deaths of Desdemona and Cassio, whom he believes have actually been disloyal.
As you can see, this wild emotion takes hold of Othello and causes havoc on his relationships, as he wishes death upon his when beloved other half and close friend. Othello’s suspect and suspicions are revealed most plainly though the use of stage instructions when he strikes Desdemona in public, an action thought about to be dishonourable and break the norms of society. By doing this he demonstrates his lack of control stemmed from jealousy. The impacts that jealousy has in changing Othello’s character can be seen through his contrasting descriptions of Desdemona.
Utilizing a biblical illusion, he initially refers to her in Act 1 as somebody who comes, “as really as heaven”, to reveal the purity and appeal he sees in her. However, after the grip of jealously holds him in Act 4, he refers to her utilizing the metaphor, “A closest lock and secret of villainous tricks”, demonstrating his wonder about and altered understanding of her. I discover it intriguing how Iago plays on Othello’s jealous feelings, when the reason Iago looks for to damage Othello is his own envy.
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Iago has actually felt infuriated by this emotion himself, and certainly understands how unsafe it can be, shown when he cautions Othello “O, beware, my lord, of Jealousy. It is the green-eyed beast.” There is an interesting contrast of the modification in Othello’s character between the beginning and end of the play, represented by the language he uses. The more prejudiced characters, such as Iago, degrade Othello due to the fact that of his race, as an animal or beast utilizing repulsive metaphors such as “Even now, now, very now, an old black ram/ is tupping your white ewe”.
Othello’s own language at the start of the play is poetic and smart, connoting his calm and rational manner. As he becomes taken by jealousy, he does, in truth, end up being beast-like, falling into epileptic fits that rob him of the ability to speak intelligently. He speaks with unrefined words, and the popular imagery of hell featured in his discussion provides unfavorable connotations, such as when he cries out “Whip me, ye devils/ roast me in sulphur/ Wash me in steep-down gulfs of liquid fire! Shakespeare’s popular catastrophe shows the power jealousy can hold over individuals. Although composed hundreds of years ago, Othello still captivates audiences with it’s portrayal of the desperation one feels when held by jealousy. Individuals can still relate to Othello due to the fact that human nature has actually not changed all this time. Shakespeare’s smart usage of characterisation, especially with the title character, adds depth and credibility to the play.