Of Mice and Men- Solitude and isolation
How is solitude and seclusion explored in Of Mice and Guy? ‘Of Mice and Guys’ by John Steinbeck is a novella comprising of numerous styles; the two most popular are isolation and isolation. The 1937 text explores the lives of itinerant people who strive to accomplish their American Dream– “livin off the fatta the lan'”. Scoundrels, Curley’s other half, Sweet, George and Lennie are such people who are isolated kind the community on the ranch. Steinbeck suggested the alienation experienced by these characters through discussion, description and inventive structural methods.
He created a frustrating sense of the dismaying environment that the migrant farmers faced throughout the Great Anxiety and Dustbowl. A prime representation of solitude and seclusion in the novella is Crooks– ‘the negro stable dollar’. In truth Criminals is a nickname, which suggests a deformity or difference. Steinbeck emphasises Scoundrels’ seclusion by describing Scoundrels’ house as a ‘little shed that leaned off the wall of the barn’. Sheds are not typically a place to live in and Steinbeck utilizes this sense of geographical isolation to show the physical distance between the bunkhouse (where the fellow cattle ranch employees live) and his shed.
It shows how the social shared space of the bunkhouse is not found in Crooks’ house. Criminals is also discriminated by his fellow ranch workers which is revealed by Slim and George’s discussion, “We let the nigger in one night'”. This suggests Crooks is restricted access to some locations of the ranch. Crooks counters this issue my not enabling anybody in his shed. His rejection of relationship or friendship is caused by the distress of his solitude. Scoundrels’ structure in the novella also hints the style of isolation.
His main speech and part is confined in one chapter, with simply brief appearances in the remainder of the novella; this reveals his character is undeveloped. Like al the characters he has the possible to grow and grow however he is limited due to prejudice in the society, which he lives in. Scoundrels clearly admits this on Pg. 82 saying “I inform ya a man gets too lonesome an’ he gets sick”. Earlier in the conversation with Lennie he utilizes a tone that is extreme and dismissive on Pg. 77 “You got no right to come in my room. This is my room nobody got any right in here but me”.
This displays that Criminals at first suspects Lennie to be much like any other white guy. As Crooks ends up being more confident he has longer and complicated sentences in his conversation revealing that Crooks is so used to privacy that he talks in excess when he discovers the opportunity to speak. The 2nd character to experience the style of isolation is Curley’s spouse. She too does not have a real name; she is only referred to as Curley’s better half, specified by her hubby’s ownership of her. On Pg. 35 and 36 George alerts Lennie explaining her utilizing words like ‘bitch’, ‘poison’, ‘rat trap’ and ‘jail-bait’.
Elsewhere, she is also referred by Candy as a ‘tart’. Talking away her name and utilizing racist language dehumanises her and suggests she has no strong identity on the cattle ranch, just dealt with as a social accessory. Nonetheless the life in the ranch is an extremely male controlled environment. Curley’s spouse is the only female in the ranch, since of this she is rendered differently and isolated. She regularly attempted to seek out company and congress. She replaces this by asking everyone, “Where is Curley?” The men on the other hand are really tired of her and worried of how Curley will respond.
Due to this they talk to her in an extremely dismissive, suddenly, unwelcoming and unfriendly method. Expressed on Pg. 87, where Crooks states” Maybe you better go along to your own home now. We don’t want no trouble”. She is repeatedly commanded to leave Later on Pg. 89 she unexpectedly end up being far more hostile, childishly venomous to those around her as an outcome of being isolated my most of the guys on the cattle ranch. All these facts display how Curley’s spouse is experiencing loneliness. In the novella Curley’s better half has a lot of discussion, most of which has to do with her dreams of being a starlet.
These imagine hers are an expression of a wish to no longer be lonely. At the moment she is apart from the things that she is longing for. Her dreams advise her of having actually underachieved in life, which is a sign of loneliness. Additionally, Curley’s spouse’s isolation is revealed on Pg. 100 where she lists how she might have become an actor. This copiousness recommends the desperation of having an occupation and of being the centre of attention. These desires show the need of having business and how lonely she is at the minute, chasing her fantasy dream and with a husband that she does not like.
The 3rd character to show loneliness in then novella is Sweet. Sweet, like Crooks is thought about extremely differently to others since of his age and handicap. This makes him different from the rest of the males on the cattle ranch, but he always attempts to communicate with them as much as he can. Sweet’s isolation is amplified by him looking for refuge in his pet. His god is referred to as ‘ancient’ and shares with him similarities such as age, impairment and a lack of effectiveness. When the ranch employees want to shoot the canine, Candy resists using Elliptical language. I had him too long … I been around him so long I never ever observe how he stinks” This is an indication if physical and emotional intimacy. Here Sweet does not say I like him to hide his weak point to the other guys, which would cause much more isolation. Steinbeck openly creates the tension when Sweet’s pet is shot utilizing ‘Silence’. The lack of interaction in the space develops a sense of a void, which is filled with silence. Here silence is being personified ‘falling on the space’. The solitude of Sweet is magnified before the pet dies by words that are uncomfortable and frozen as Sweet attempts to protect himself and his buddy, the pet.
Pathos is strong after the dog is killed as Sweet turns himself to the wall. This makes one sympathize with Candy’s loss and isolation. The final characters, which reveal isolation and solitude, are the 2 main characters George and Lennie. George experiences one of the most isolation. His solitude is amplified when he is with Lennie. The difference in between both the characters is displaced through their discussion, Lennie always asks the concerns and George needs to answer them Lennie’s lack of vocabulary is indicated on Pg. 7 when Lennie says “I. I.” which is very inarticulate with simple vocabulary.
He requires a great deal of repeating to express his feelings. Whereas George swears a lot, suggesting the aggravation being isolated with Lennie. Lennie, near the very end of the book just before George will shoot Lennie, Lennie states “me and you” and then George responds with “me and … you”. The ellipsis implies clear distance and seclusion. Finally on Pg. 16 when George is talking about the dream he utilizes idealised images showing his disbelief and how he believes it will be almost impossible to get a farm like that. This is revealed when he says “Nuts … I ain’t got time for this anymore! This suggests the frustration of dreaming too large. Hence it appears that George is experiencing loneliness and isolation. Isolation and isolation are found in several kinds in the novella ‘Of Mice and Males’. The author, John Steinbeck has used various linguistic and structural ideas to strengthen the style of seclusion and solitude that nearly all the characters deal with. Overall in conclusion John Steinbeck skilfully utilizes style triggering enormous pathos allowing the reader to experience and acknowledge his anxiety– age novella Of Mice and Guy.