Of Mice and Men – Curleys Wife Essay

Of Mice and Guy– Curleys Wife Essay

What does Curley’s spouse contribute to the play as a whole? John Steinbeck’s novel ‘Of Mice and Guys’ is embeded in 1930’s North California throughout ‘The Great Depression’ when times were harsh with little or no income and predominantly when all americans were destined for failure. The story depicts the journey of 2 migrant workers George and Lennie who are forced to travel round searching for work due to the circumstances of increasing unemployment levels and lack of earnings– all most all males ended up being migrant workers and left females and children to look after themselves.

Poignantly society ended up being a fractured and segregated one including bigotry, sexism and a lack of feeling which eventually began a tedious cycle of belittlement and loneliness; females were frequently objectified by males and viewed as home entertainment and insignificant instead of equals but possibly this treatment was down to absence of feeling and relationships within society.

Thematically this segregation is shown frequently within the novel through the character Curley’s partner to whom is described as a “looloo” and frequently disrespected by the migrant workers on the ranch due to her flirtatious behaviour. At first Curley’s spouse appears to be an easy unimportant character however as the unique progress it emerges that she represents not just the sexism at that time however the isolation numerous faced and the supreme fate that all are predestined to failure.

Curley’s wife’s first appearance in the novel is shown by Steinbeck’s use of dark and light imagery” the rectangular shape of sunlight in the doorway was cut off” which arguably could be recommending that she is nothing but problem as the brightness is sucked out of the room or possibly foreshadowing her demise towards completion. Steinbeck stresses that” a girl was standing there” demonstrating how Curley’s partner is simply a young naive lady caught in a female’s body which is more supported by her provocative description “her hair hung in little rolled clusters”– she doesn’t yet know her real identity.

Similarly she is discussed prior to her very first look by Candy and George, once again with no name perhaps demonstrating that Steinbeck doesn’t wish to give her an identity to reveal her significance and worth within society at the time. Within this very first scene Curley’s partner is represented as a harlet and troublemaker “she had full, rouged lips” and used a cotton house gown” and “her fingernails were red”. The repetitive use of the colour red implies that she means to be a promiscuous ignorant girl instead of a mature respectable female which once again can be related back to er double identity of girl vs. woman. However Steinbeck’s character appears to epitomise femininity in an unfavorable style, indicating that ladies are simply a diversion and bring destroy on men. Poignantly Curley’s partner insists she is “lookin’ for Curley” which shows her desperate and lonely existence as she is seen throughout the whole unique seemingly looking for Curley; eventually she longs for friendship however speaking with the other ranch guys is as close to business as she will get.

Significantly she is the only lady living on the ranch who appears to illustrate all women who live in the rather patriarchal society so it is just natural that she may crave the attention that she does not get from the men specifically due to her unstable relationship with Curley– she is mistreated and objectified by Curley “Curley states he’s keepin’ that hand soft for his wife”. In spite of the truth that she is simply a young lonesome woman that requires to be loved, she is far from foolish.

She does not make efforts to leave Curley, she holds some power in the relationship and plainly enjoys her financial circumstance and great house; although Curley needs she stays in your home, Culey’s wife appears to delight in her disobey. Whenever she goes missing out on Curley is seen in a trouble “you seen a lady round here?” and it is this power that she holds over him that shows her manipulative manner. Nevertheless the audience sees an alternative insecure and lonely side to Curley’s spouse when she visits Crooks’ space after all the men delegated go to a whorehouse, consisting of Curley.

Naturally she feels excluded specifically given that she has no audience to provoke and it is here when she reveals her seclusion to the “bindle stiffs”; Lennie, Candy and Crooks “think I don’t like to talk with somebody ever’ from time to time? “Furthermore, the irony when she grumbles that they “left all the weak ones here” is undeniable for she is a weak one herself albeit more a victim of society than a sharp tongued harlot. She has only one thing to sell and she knows it’s the only way to be seen.

Due to her solitude she is always craving attention nevertheless the audience see indications of her being more the victim instead of the floozy as she admits that she has actually frequently been used by guys, guaranteeing to put her in the images “an a person tol’ me he might put me in pichers”. Curley’s other half laments over her previous dream of remaining in movies which not just highlights her lonely presence however likewise her naivety at even starting to think that the dream would come to life. In truth this dream is hard enough to accomplish, not to mention during ‘The Great Anxiety’.

It can be argued that Curley’s partner is responsible for her own partition and isolation for leaping at the first opportunity to wed a man on the rebound due to a spit with her mom. Subsequently, the characters initial defensive, bitter manner towards the “bindle stiffs” begins to ease off as she finds herself almost “likin’ it due to the fact that they aint nobody else” to talk with– it is at this particular scene in the unique where her true colours are shown, showing her desperation for company as she jumps at the first chance to express herself to somebody who’ll listen.

The “bindle bums”. Perhaps Curley’s spouse does not comprehend why she is actively overlooked and uses her properties in an effort to receive some attention, she’s simply a young unloved girl with no-one to speak to and does not get the affection that a young girl requirements. Additionally the reality that she realises where Curley goes to on a Saturday night represents just how fractured their marital relationship is doing not have in trust, affection and friendship “Believe I do not know where they all went?

Even Curley.”– it’s arguable that she might have made a life for herself is she wasn’t so stubborn and ignorant, it appears that Curley’s spouse is not silly nevertheless simply sits there in her solitude. Towards the end of the unique, you sympathise with the character for the last time. The reader realises that Curley’s spouse was never genuinely evil and throughout the novel is never seen truly delighted either; all her misdeeds are surpassed by her penalty– death.

Above all within her death comes peace which showed in her face “the meanness … and the ache for attention were all gone from her face” and her environment “the sun streaks were high on the wall by now”. Maybe her death at the hands of Lennie is not a punishment but a saviour, a saviour from her segregated, marginalised life. At the start of the scene, we see Curley’s better half at her most gentle albeit a lot of susceptible state as she expresses her longing of becoming a movie star to Lennie and most notably reveals her story– she’s only married to Curley to avoid home and to most likely prevent facing her damaged dream.

The vixen takes advantage of Lennie’s handicap and confides in him yet once again her lonesomeness “I get dreadful lonely often”, pleading for his attention. Naturally she receives Lennies attention nevertheless not how she meant. Lennie ends up being overexcited as his “fingers fell to stroking her hair” as a result leading to her death which was visualized previously on in the book. The reader is as soon as again advised of how young Curley’s partner actually s and just how much dissatisfaction in life she has already succumbed to in such a brief space of time “now her rouged cheeks and reddened lips made her appear alive”– beauty played her failure. Curley’s other half epitomises femininity in a negative style throughout most of the unique nevertheless we now comprehend that her coquettish behaviour and sexual look was all a mask, a cover-up to conceal that she was simply an insecure young girl who needed to be enjoyed and it was frequently her own choices in life that played a leading role in her demise.

At first you instantly label this character a provocative little vixen who needs to stop playing with fire however throughout several poignant scenes it is apparent that ultimately Curley’s other half is a desperate, segregated woman who craves some friendship and love. On the other hand Steinbeck’s contrasting sides to the character make it very tough for the reader to pick which identity she truly is inside and it is perhaps this distinguishing character that shows simply how difficult it was to be a female in 1930’s America and how hostile and segregated society was at the time.

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