Frankenstein Synthesis Essay

Frankenstein Synthesis Essay

Both the Gothic unique Frankenstein by Mary Shelley and poem “The Rime of the Ancient Mariner,” by Samuel Taylor Coleridge highlight the power of the natural world and how nature reflects the mood of the characters and their journeys. In “The Rime of The Ancient Mariner,” the mariner has actually dedicated a horrendous criminal activity versus nature: he has actually foolishly killed an albatross without thinking. Nature then starts to assert its power over the mariner and the sailors. Similarly, in “Frankenstein,” the natural world appears to be a soothing balm for healing.

Frankenstein is devastated and totally wracked with sorrow after the deaths of William and Justine, but remarkably is able to value the beauty of the world around him. Eventually, we have 2 different representations of nature: nature in “The Ancient Mariner” is a force of retribution while nature in Frankenstein is a sign of recovery and beauty. In Frankenstein and “The Rime of the Ancient Mariner,” Coleridge and Shelley clarified the method of how nature shows the spirits of the characters and the state of mind of their journeys.

At the beginning of the mariner’s story, the trip starts out happily and, “The Sun came up upon the left/And he shone intense.” The sailors remain in joyous spirits while the ship cruises out. Yet as they journey on, rainy weather condition comes and the sailors are soon surrounded by ice. An albatross, typically a harbinger of all the best on the seas comes and starts a conversation. The mariner mindlessly eliminates the albatross for no obvious reason and the weather quickly worsens than previously. The sun is referred to as, “fleck ‘d with bars as if through a dungeon he peer ‘d with broad and burning face” (177-180).

Here, the imagery of the sun increasing and its unrelenting heat beating down on the team just serves to aggravate their predicament. Also, the sailors see, “water, water, water everywhere” from the broad stretch of sea, yet there is, “not a drop to consume. Each throat was parch ‘d and glazed each eye.” As their surroundings become more and more excruciating, the mindsets of the sailors alter from upbeat in the beginning to suffering and desperate later on in the poem. In Frankenstein, the power of nature on Victor and his production is quickly seen through their reactions to their environments.

Frankenstein notices, “the icy and flashing peaks/in the sunlight/my heart, which was prior to affecting, now swelled with/joy” (80 ). Nature’s effect on Frankenstein is obvious; his mournful and tormented self is transformed into a heart filled with happiness and joy. In, “The Rime of the Ancient Mariner,” Coleridge embraces the idea of nature as a force of retribution and the consequences of mindlessly difficult nature instead of the style of discovering solace, peace, and healing in nature in Frankenstein. The mariner explains how nature starts to turn versus him in his brutal disregard for the natural world after he kills the albatross.

The sailors become stranded on the sea, “stuck as idle as a painted ship upon a painted ocean,” as unusual “slimy things” begin to “afflict [them] (125-133). Here, nature starts to haunt the sailors as their, “throats unslaked, with blak lips baked.” The repeating of “with throats unslaked” highlights how nature is tormenting the sailors; the whole sea is within their grasp but they are not able to drink from it.

Moreover, nature even more beleaguers the sailors when each of the sailors begins to die till only the mariner stays: the mariner is at last, “alone, alone, all, all alone/my soul in misery. Nature takes its toll on the mariner in punishment for his actions. Nevertheless, while nature is a force of vengeance in the “Ancient Mariner,” it provides healing in Frankenstein. After Frankenstein is ravaged by the deaths of his household, he wants to nature; as he gratefully states, “These superb and splendid scenes managed me the best alleviation I might receive.” Nature when again displays its capability to convenience and heal. Finally, even the development, who is required to find out how to endure on his own, is still able to appreciate nature’s appeal.

His, “primary thrills were the sight of flowers, the birds, and all the gay apparel of summer season” (112 ). Even though the monster is bitter due to his lack of companionship, he takes enjoyment from nature’s strength and charm. Despite that both Frankenstein and “The Rime of the Ancient Mariner,” represent nature in a different way, they share a common theme of the significance of appreciating and valuing nature. The wedding visitor in the “Ancient Mariner” leaves an altered male, having discovered the consequences of disregarding nature.

Even the mariner discovers to appreciate the slimy animals in the water by blessing them in the end, marking his transformation. In Frankenstein, Victor and the beast take great pleasure from nature and utilize it to heal and comfort them due to their alienation from society. Eventually, this style of nature not only highlights the significance of both works as foundational texts for Romantic literature, but likewise shows how numerous Romantic authors acknowledged the natural world around them and its symbol of fact and beauty.

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