Fahrenheit 451: Montag Changes from Oblivious to Aware
Thesis Declaration: Montag goes from being oblivious to aware In the beginning of the book, Montag does what he does simply since he’s told to. He does not think anything through, and neither does the rest of the society. He burns books for the pleasure he thinks it provides him, but in truth, he’s just doing what his employer tells him to. When he meets Clarisse, it is fascinating to him that someone can be so perceptive of the world around her. She makes Montag understand that there is so much to his city that doesn’t make good sense.
Whilst talking to her at the start of the book, she picks up on the reality that he states things without thinking them through, “‘You never ever stop to think what I’ve asked you.’ He stopped walking” (12 ). Montag then goes on to call her “an odd one” (12 ). This reveals that he does not comprehend her idea process, just like she doesn’t comprehend his. It also describes him stopping, which recommends that he concurs with her allegation, but, being the noble fireman that he is, doesn’t want to confess that he’s guilty.
It also suggests that he is stopping to think about what she simply said, on the one hand proving her incorrect, and on the other, proving her right. Montag is also highly unconcerned when it comes to his job, and the jobs at hand. At work, he has a regular to go through. An unwritten one, however it is still there. When he goes back to the station after the very first burning, Bradbury explains how it’s constantly the exact same; hang up his clothes, shower, and fall down the hole, “At the last minute, when catastrophe appeared positive, he pulled his hands from his pockets and broke his fall by grasping the golden pole” (8 ).
He has performed this repeated series of actions numerous times, that he understands precisely when to take out his hands. Knows precisely when to grasp the pole. This is all happening unconsciously, and he repeats it, every time, not stopping anytime to observe his surroundings. This obliviousness is seen throughout the city, and Montag understands that he, like everybody else, accepts whatever as ‘normal’. Montag then starts to question his happiness, his task, and his life, thinking of things as he has never done before.
The first mention of Montag starting to change is when he gets house after fulfilling Clarisse for the first time. Before running home, Clarisse asks Montag the seemingly easy concern, “Are you happy?” (14 ), to which Montag is particular of the answer; yes. Nevertheless, on returning house, he chooses to take Clarisse’s words into account, and think. Montag quickly understands, that he has actually been living a lie, absolutely nothing in his life to be pleased about, “He used his happiness like a mask and the girl had run off throughout the yard with the mask and there was no other way of going to knock on her door and ask for it back” (16 ).
This demonstrates how Clarisse opens Montag up to his true sensations about the world, and the incident also makes him much more familiar with his outlook on life. The primary juncture, however, where Montag understands that his job is wrong, which, when he really thinks about it, he should not be doing this, is when he burns the old lady in her home. When speaking with Mildred about the incident, he comes to the realisation that, if somebody is willing to crave her books, then they should be rather rewarding. “There need to be something in books, things we can’t think of, to make a ladies stay in a burning house; there need to be something there.
You don’t stay for nothing” (55 ). This is what makes Montag really question whether his task is the best thing to be doing. Till that night, he had never thought about his task as being a killer. After this scene, the more rebellious side of Montag starts to reveal, as he wants to do what’s right, and what’s right isn’t the law. By the end of the novel, Montag is a far more mindful guy. He’s realised what he wants to accomplish in life, and he has the ability to think for himself. One of the most thoughtful parts of this book is Montag’s journey down the river in order to escape from the hound.
In these 2 pages, Montag drifts “in an abrupt serenity, away from the city and the lights and the chase, far from everything” (142 ). For the very first time in his life, Montag notices the stars in the sky, the rolling hills beside him. All the things that were so clearly there, however never ever really acknowledged. He understands that the firefighter need to stop, and that the understanding included in books has to be shared. A 2nd example of his freshly discovered awareness is when he leaves the river and is strolling down the train track.
The description of his senses is so comprehensive, and he is noticing and observing things like he has all the time in the world. “Here was the single familiar thing, the magic charm he may need a little while, to touch, to feel below his feet, as he moved on into the bramble bushes and the lakes of smelling and feeling and touching, amongst the whispers and the blowing down of leaves” (147 ). The Montag that the reader was presented to at the start of the story would never have made the effort to smell and touch all the different leaves around him.
He likewise mentions that he understands the unproven reality that Clarisse had walked the very same tracks. Although it does not state why he is led to think this, it shows that he has actually been awakened to his full ability. He can sense her existence when he’s strolling, informing the reader that his senses have actually been highly increased in the process of opening his eyes to life. By the end of the book, Montag has a completely various viewpoint on the world around him. He is believing all his actions through, noticing everything that was when ignored, by him, and the whole society.