Crooks Of Mice And Men

Crooks Of Mice And Guy

In the novel “Of Mice and Men” the character of Crooks is utilized by John Steinbeck, the author, to symbolise the marginalisation of the black community occurring at the time in which the book is set. Scoundrels is likewise considerable as he supplies an insight into the truth of the American Dream and the feelings of all the ranchers: their isolation and need for business and human interaction. The reader needs to choose whether Crooks deserves sympathy, or if he is simply a terrible, bitter and gruff stable-buck.

Character Of Crooks Of Mice And Men

Crooks is a black man, however at the time the book was written, blacks were described as “ni *** rs”, suggested as a white insult. Being a ni *** r, Crooks is ostracised by the whites at the ranch and he resents this. As he says

“If I state something, why it’s just a ni *** r sayin’ it”

John Steinbeck, rooks Of Mice And Guy, Page 74

and this shows his anger at being pushed to the side. Being oppressed has actually made him seem harsh and gruff, however also has turned him to self-pity and the notion that he is a lesser human. He states to Lennie

“You got no best to come in my space … You go on get outa my room. I ain’t desired in the bunkhouse and you ain’t wanted in my room. “

John Steinbeck, rooks Of Mice And Guy, Page 72

He continues by stating that the whites believe he stinks and one can translate this as a method of saying that the whites would discover it a disgrace that a ni *** r should breathe the same bunkhouse air as them.

“S’pose you could not go into the bunkhouse and play rummy ’cause you was black … Sure, you might play horseshoes ’til dark, however then you have to check out books. “

John Steinbeck, rooks Of Mice And Men

shows that Crooks pities his own circumstances and vulnerability. Nevertheless

“his tone was a bit more friendly”

John Steinbeck, rooks Of Mice And Male, Page 3

and

“I didn’t indicate to frighten you”

John Steinbeck, rooks Of Mice And Men, Page 77

gives us the impression that Crooks has a kind heart under his blunt outside. Scoundrels brings into perspective the isolation experienced by all the characters in “Of Mice and Male” by saying

“Sure, you could play horseshoes till it got dark, however then you got to read books. Books ain’t no great. A guy requires somebody– to be near him. A people goes nuts if he ain’t got nobody. Don’t make no difference who the guy is, long’s he’s with you. I inform ya, a guy gets too lonely, an’ he gets ill. “

John Steinbeck, rooks Of Mice And Guy, Page 77

He is telling of the need for human interaction, the requirement for business and the need for someone to care and offer security. The injustice Crooks experiences in living in a barn and not in the bunkhouse where he could play rummy as one of the group leads him to this desperate plea to be understood as equivalent. Even if when he cuts himself, the blood he bleeds is looked upon as various from a white point of view, this does not indicate he is not entitled to gain from human nature.

John Steinbeck is portraying here the feelings of Americans of his day and age: their aloneness and their redemption– in the American Dream. It becomes apparent that the treatment of Crooks has made him negative. Whenever the American Dream (i. e. the hope of all ranchers that a person day they will have independence, land on their own and be answerable to no-one) is mentioned he dismisses it. He states scornfully

“I seen numerous men visited on the roadway an’ on the ranches with their bindles on their backs an’ that exact same damn thing in their heads. Numerous them.

They come, an’ they gave up an’ go on… An’ never a god-damn among ’em gets it. “

John Steinbeck, rooks Of Mice And Guy, Page 78

This plain realism offers us an impression that Crooks has absolutely no hope. Nevertheless

“I keep in mind when I was a youngster … had a strawberry patch. Had an alfalfa spot … Utilized to turn the chickens out on the alfalfa on a warm morning”

John Steinbeck, rooks Of Mice And Guy, Page 77

reinforces the idea that everyone has a dream, a goal and a fantasy. Criminals may be cynical, yet even he, the marginalised, fearful, gruff, resentful, alone “ni *** r”, has a dream, the hope of one day experiencing the happiness of his youth again.

Should we translate Crooks as a negative, wicked, unimportant person? After all, he’s just an “ni *** r”. Yet one can fell sympathy for this ostracised man who, under his rough outside, has humanity and all its qualities. Scoundrels gives us the most brilliant image of life at the time of the novel: its hopes, worries and oppressions. And does Crooks also connect to life today? Are we any happier at having homes, independence, flexibility of speech? Do you have to be black to experience injustice? Lennie’s short interaction with Crooks reveals the complexity of racial prejudice in the northern California cattle ranch life.

Though Scoundrels was born in California (not like many Southern blacks who had migrated, he indicates), he is still always made to seem like an outsider, even in his house state. Criminals is painfully conscious that his skin color is all that keeps him separate in this culture. This outsider status causes him to lament his solitude, however he likewise delights in seeing the isolation of others, perhaps because torment likes company. When Scoundrels begins to badger Lennie, recommending George will not get back, we discover the slight mean streak that ndoubtedly develops after being alone for so long. Lennie unsuspectingly relieves Crooks into sensation at ease, and Candy even gets the man thrilled about the dream farm, to the point where Scoundrels could fancy himself deserving and equal adequate to be in on the plan with the people. Crooks’s little dream of the farm is shattered by Curley’s better half’s nasty remarks, slotting the black guy right back into his “location” as inferior to a white female. Jolted into that era’s reality by Curley’s partner severe treatment, Crooks declines to say the female is incorrect.

Instead, he accepts the fact that he copes with ever-present racial discrimination. He dismisses the other guys, stating he had “forgotten himself” because they ‘d treated him so well. It appears Crooks defines his own concept of himself not based upon what he believes he’s worth, but on understanding that no matter how he feels, others around him will always value him as less. As rapidly as he got thrilled about the dream, he deserts it, informing candy he was “jus foolin” about being interested in his own flexibility and happiness.

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