As You Like It vs of Mice and Men vs the Rabbits(Belonging)
As you like it/Of Mice and Men/The Rabbits An individual affiliation with others and a sense of connection to an environment influence an individual’s experience of belonging. William Shakespeare exposes the consequences of such associations through a pastoral funny, ironically manipulating the plotline and characters in his 1599 play “As You Like It”. John Steinbeck’s 1937 novelette “Of Mice and Guy” brightens concurrent components of belonging, showing how a feeling of connection may give rise to satisfaction, through the contrasting suitables and the relationships the characters hold.
John Marsden and Shaun Tan’s 1998 image book “The Rabbits” can likewise be analyzed in similar light, with the authors using an allegoric storyline to convey indicating to their audience Belonging derived from personal interactions is typically a driving force in the life of a private, and offers an unique kind of security and happiness. The opening lines of “As you like it” see Orlando in a space of alienation as the filial turbulence common in his relationship with Oliver is exposed.
Shakespeare employs animal imagery to supply proof of Orlando’s pain, relating his treatment to that of an “ox”, and the “breading of a horse”. Orlando’s frustration forces him to “lay his hands” on Oliver, stage direction utilized to improve the impact of Orlando’s suffering. The dialogue changes from verse to prose, when Rosalind is conversing with Celia, the colloquialism signifying the sense of convenience felt by Rosalind in the business of Celia. Contrastingly, in each of the bros’ cases, the existing blood relationship appears to have no particular significance.
Through the use of relationships, Shakespeare establishes a continuum of parallel plots, which as a romantic funny convention bind the play, and enhance comical tension and confusion by including complication enabling him to entertain both Elizabethan and contemporary audiences. (180) The security provided by fellowship may inculcate a higher sense of contentment in people. Simply as Orlando, Rosalind and Celia exercise a sense of comfort within their surrounding relationships, Steinbeck establishes the concept of connection through the representation of the affectionate symbiosis f the two lead characters and their brotherly mutual issue in the opening description when the two guys emerge together. Paradoxically however, the opening picture of the green swimming pool by the river promises tranquility, but likewise serves as the background for Lennie’s violent death. In the final chapter, George is characteristically conveyed to have incredible trouble bringing himself to shoot Lennie, no matter Lennie’s oblivion.
Lennie’s requirement for George is obvious throughout the text, however George’s requirement for Lennie, though less obvious, is also as excellent. When George kills Lennie, he is eliminating the symbolic “dream”, his childhood, and paradoxically accepting his own mediocrity. Such a relationship is rare, and special in the world George and Lennie occupy; other males, in contrast, are solitary souls without buddies, as George ruminates: “Guys like us, that work on ranches, are the loneliest guys on the planet.
They got no household … they do not belong no location … but not us … we got each other”. (198) A connection with the natural surroundings may assist a specific grasp a stronger sense of identity/belonging. Shakespeare’s substantial use of natural imagery in “As You Like It” to represent the artificiality of human organizations ironically stresses the contrast that exists between ideals of love and the realities of human life.
Duke Fredrick’s tumultuous composure in alienating Rosalind from the court is likewise contrasted with the calm and inviting Duke Senior citizen’s real disposition to Orlando in the forest, which sets an atmosphere of openness and belonging. Jaques’ and Example’s remarks expose how difficulty and social disharmony can paradoxically trigger understanding and love, as we see each of the characters finding either love or, mental haven through their experiences in the forest.
The dichotomous components of wickedness and innocence are symbolised through metaphorical falseness of the court juxtaposed with the continuous theme of the idealised environment of the forest and Duke Elder’s comparison of the “artifice” and “peril” of the “jealous court” to the “sweet” qualities of the forest of Arden allows the audience to relate to the altering perspectives of the characters as they make their shifts and satisfy their look for love, contentment and belonging. (197) Association with a particular environment may safeguard an individual from a sense of privacy.
Steinbeck examines human isolation in “Of Mice and Male”, by exploring the human longing to find a home within nature. The remote setting for the plot highlights the appropriate idea of male’s isolation and require for dedication. George and Lennie’ s dream represents sanctuary from alienation, similar to the sanctuary offered by the forest of Arden in “As you Like it”. The ranch owner is suspicious of their relationship, opposing, “I never ever seen one guy take a lot trouble for another man.” Their association with the dream symbolically guards them from the solitude that a lot of other characters in the text sustain.
Lennie’s yearning for the bunnies, the alfalfa, and the yearning to one day be able to “live off the fatta the lan'” symbolizes the sense of belonging that a connection with the nature can provide. The catastrophe in “Of Mice and Male” is that dislocation from what possibly called home inevitably results in dislocation of considerable relationships, and Steinbeck evaluates the requirement for an environment of coming from avoid such a schism. (187) The loss of valued relationships might lead to the degeneration of a person’s sense of identity/security and satisfaction.
The reading course on the second double spread of John Marsden and Shaun Tan’s “The Rabbits” is directed by vectors, which present the numbats and rabbits for the first time. The black tracks left by the vehicle that the bunnies at first arrive in act as consistent metaphors for the enduring changes that are applied to the lives of the numbats by the rabbits. In the ninth spread, the text, “We lost the battles” conveys negative connotations through black hues in the foreground, renewing the loss of identity that occurs for the numbats.
Using characterisation when Rosalind adjusts the guise of Ganymede in “As You Like It” allows her connect to Orlando and to her environment in a various method and accomplish a much better sense of belonging, highlighting the essential role of identity in forming an individual’s sense of belonging. (159) Starting with social upheaval and filial dysfunction, “As You Like It” ultimately ends with reconciliation cultivated by a transformed outlook in a natural environment. In “Of Mice and Male”, Steinbeck’s delineation of the haracters, with their shared goals and unique feelings of alienation, shapes a various view of friendship. “The Rabbits” supplies the Aboriginal point of view on the white settlement of Australia, as Marsden and Tan strive to convey the importance of relationships with land and people. Thus, each of the authors, by their own unique methods provide vital evaluations of human nature and how these are affected by individual relationships in differing environments. (1132 )