A Handmaid’s Tale and Frankenstein

A Handmaid’s Tale and Frankenstein

The following essay will draw out the differentiation between the characters Victor Frankenstein and his monster in a father son context as well as explore the concept of birth in a subverted context in Margaret Atwood’s A Handmaid’s Tale. Victor and his monter’s relationship as one of beast and master or more appropriately of God and Adam will be checked out.

The browbeating or supremacy that exists through the act of sex and through controlling Offred’s daughter’s location and whereabouts from her mom will likewise be presented in the essay. Sex is about control and power. Margaret Atwood composed A Handmaid’s Tale in order to inform of the offense that might be taken when a right wing form of federal government takes autocratic control of a nation.

The following paper will stress how sex is power, according to other authors in an anthropological sense and relate this to Atwood book. This comparison will offer merit to the principle of an overbearing patriarchal state, and how such a state can exist according to the laws of evolution, and the paper will give examples of such laws in accordance to the literature provided in A Handmaid’s Tale.

Victor is a product of market and therein lies my awful nature. There exists in a man the factor to think in love in the architecture of the soul grabbing new heights and it seemed to him that in the theory of creation absolutely nothing is higher than the action of God; his decree was supreme, ubiquitous, and undeniable.

In Victor’s efforts for identity he discovered his beast. The monster was Victor’s Adam. Victor wished to breathe life into him, to make the monster genuine not only as a father desires a kid, for Victor desired that too, the achievement of fathership, but he wanted to radiate genius. If the monster is to blame anything or anyone for the beast’s presence then the blame put on Victor can just be credited to enjoy in part and partially egoism.

Offred is a handmaid in the Republic of Gilead. This Republic is a theocratic state that has replaced the conventional democracy of the United States; the Republic is centered on faith, and patriarchy to an extreme degree. Due to the extremely low recreation rates, the handmaid’s task to the Republic is to bear children to the elite individuals of the society who have had issues conceiving on their own. Offred is made to service the Commander and his wife Serena Happiness. The later is a previous gospel vocalist and thinks in the Republic in an overzealous fashion.

The concept of sex as a tool made to control what would otherwise be an advanced advocacy is apparent in the scenes when Offred is made to ‘service’ the Leader. These scenes include sex where the two aren’t permitted to speak to each other and the spouse, or in this case, Serena, needs to hold down the handmaid’s arms.

Hence, Offred is made to subjugate her liberty in order to bear this couple a child. Therefore, Offred is a piece of property and as such she should follow the rules of your house which involve suspended shopping journeys to the city, no contact with anybody, and no personal discussions or relationships of any kind with anybody.

Even in the confines of the house Offred is made to keep her bed room door exposed, and the cops are on consistent watch of all handmaids in case they need to step over their limits.

Both stories deal with myth in the story as in Frankenstein Victor fashioned himself as Prometheus. He took from the hand of the death and created life; he breathed air into lungs and took the fire from the Gods and gave it, just as the Republic in A Handmaid’s Tale focused on stealing the kids borne of handmaid’s and providing to the family the handmaid’s serviced.

The concept of birth as control is main to both stories as Shelley composes, “It was on a bleak night of November, that I beheld the achievement of my toils. With a stress and anxiety that almost totaled up to misery, I collected the instruments of life around me, that I may infuse a stimulate of being into the lifeless thing that lay at my feet. It was already one in the early morning; the rain pattered dismally against the panes, and my candle light was nearly burnt out, when, by the glimmer of the half-extinguished light, I saw the dull yellow eye of the creature open; it breathed hard, and a convulsive movement agitated its limbs (43 )”.

Just as Victor is playing God so is the Republic playing a comparable function in Atwood’s story. Thus, even giving birth was a form of control as the child that a handmaid gave birth to was truly the couple’s kid, and did not in truth come from the handmaid.

In truth, Offred had a child with her husband before the Republic took control, however that child was drawn from her considering that she was a second marriage, and for that reason had not rights. The facility of these control tactics rests with the Gilead ideology in which handmaids, or amoral ladies, have no rights and are completely subservient to men.

One incident which supports this paper’s thesis of sex as a controlling aspect is when Offred is taken to the doctor to be looked for diseases or to be inspected to discover if she is pregnant. The physician provides to have sex with her in order to get her pregnant due to the fact that he thinks that the Leader may be sterile.

This is another issue of control in the book. The doctor might be real with his request however more than most likely he might be trying to get Offred to catch his wishes; in either case this would have been another scene, and example of rape had actually Offred accepted the doctor’s offer.

Serena quickly uses Offred an opportunity to have an image of her daughter is Offred accepts make love with Nick the driver in order for Offred to get pregnant and pass the kid off as Serena and the Commanders. This is another coercion utilized in the novel, and it is another example of the exchange that females devote to in order to acquire something essential for their livelihood; in this case a photo of Offred’s child.

For Victor the concept of creating a companion of seeing him and having discussions with him was a kind of that father/son relationship; other than the mind was damaged and Victor believed through this ill luck their twined dooming was discovered. The beast was supposed to be beautiful.

Victor’s development, made from his hard work, genius, stimulate of life, but when the monster opened his eyes, those yellow and watery orbs stared with accusation. They were appropriately snide in being awaken. In those yellow eyes Victor saw death, guilt, and a cravings to not have been born. When those yellow eye opened Victor saw the reflection of his failure. Therefore is birth made dreadful.

It was not the eyes alone that made Victor run: The whole entourage of pallid and blanched skin blended with size all offered Victor the desire to leave. It remained in the failure of the beast’s presence that Victor discovered revulsion; or rather it was the reality that his existence made Victor a failure, the reality that he had actually developed a beast when his intentions were pure. Victor wanted to provide humankind something stunning but the beast was revolting.

Victor was sleeping and the monster approached looking for acceptance for love for the satisfied intention of a buddy and so the beast reached his enormous hand out. Victor was not prepared; in his best camouflage as God Victor was not prepared to consider Adam and see only blasphemy.

The beast saw this not only in Victor’s actions of leaving, but in his response of the beast reaching toward Victor. The beast in turn vanishes; banished from Victor’s love, and life, and with the close of this scene the thesis of the paper is understood in Shelley’s work; that of birth and production as blasphemy.

The degree of coercion prevailing in the Republic is directly related to the amount of revolution they plan on finding with the handmaid’s and other underground factions who oppose Gilead ideologies. An example of those who do not succumb to the desires of the Republic is displayed in the square outside of what used to Harvard University where they hang betrayers for the public to witness in order for fear to grow and laws to be complied with.

Serena is a prime example of the severe faction of the Republic since she holds down Offred’s hands during sex with the Commander and then more wants Offred to have sex with Nick all so that Serena might have a child.

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This essay has actually exhibited the principle of sex as a controlling consider the book A Handmaid’s Tale in the opportunity of a quick history of patriarchy, the more expounding of coercion as seen with Moira, and with iron and meat, in addition to with the captive methods used by Serena to get Offred to make love with Nick. This principle of sex and power is connected to patriarchy and is well utilized in Margaret Atwood’s book.

Just as Victor was done being God and bringing the fire to mankind because it seemd that they did not desire it, so does sex and birth in A Handmaid’s Tale expose a similar fate with Offred’s kid and the act of rape throughout the novel. Both procedures of creation are a rape, of science in Frankenstein and nature in A Handmaid’s Tale.

Victor wonders how many Adams God needed to go through but Victor found that he was no God simply as Offred discovered that she was no longer a mother in the society created by the Republic. Victor is robbed of his science while Offred is robbed of her kid and the enjoyment of sex. The production procedure in both novels is one filled with bastardization.

Work Mentioned

Atwood, Margaret. A Handmaid’s Tale. Anchor, New York City. 1998.

Shelley, Mary. (1995 ). Frankenstein: The Modern Prometheus. Ed. Maurice Hindle. Penguin, New York.

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