A Comparison Of The Catcher In The Rye And The Adventures Of Huck Finn

A Comparison Of The Catcher In The Rye And The Adventures Of Huck Finn

Sensible novels representing characters which are checked with a myriad of experiences. In this essay, 2 excellent American books are compared: The Adventures of Huck Finn by Mark Twain and The Catcher In The Rye by J. D. Salinger. The Experiences of Huck Finn is a novel based upon the experiences of a young boy named Huck Finn, who along with a servant, Jim, make their method along the Mississippi River during the Nineteenth Century. The Catcher In The Rye is an unique about a boy called Holden Caulfield, who travels from Pencey Preparation to New york city City battling with his own aberrant issues.

These 2 novels can be compared using the Cosmogonic Cycle with both literal and symbolic interpretations. The Cosmogonic Cycle is a name for a universal and archetypal circumstance. There are six parts that comprise the cycle: the call to experience, the limit crossing, the road of trials, the supreme test, a flight or a leave, and finally a return. There are more parts they do not necessarily fall into the same order, examples of these are symbolic death and motifs.The Cosmogonic Cycle is an interesting way to translate literature since is Universal or correlates with at any time eriod and any situation. The Call to Adventure is the very first of the Cosmogonic Cycle. It is the real “call to experience” that a person gets to begin the cycle.

There are many ways that this is discovered in literature including passing desire, by possibility, by kidnapping, and by being drawn by an outdoors force. In The Experiences of Huck Finn, Huck is required with the issue of whether to stick with his daddy and continue to be mistreated or to leave.Huck goes because he desires to start his journey. In The Catcher In The Rye, Holden psychologically is torn between experience and nnocence, it would seem to him that an outdoors force is drawing him to do something however in truth he is beginning his journey since of his desire. The Call to Adventure is the first step in the Cosmogonic Cycle, it is the step at which the character or hero is brought into cycle. The Limit Crossing is the second action, it is the location or the person that which the character crosses over or through into the Zone Unknown.The Zone Unidentified being the place where the journey happens.

The limit crossing is often associated with a character change or a look modification. An example of this is in The Wizard of Oz, when the film goes from black and white to color, revealing a visual symbolic death. A symbolic death is another part to the Cosmogonic Cycle of which the character goes through a modification and emerges a more total individual or more experienced. In The Adventures of Huck Finn, a symbolic death is really apparent during the scene in which Huck establishes his father’s cabin to look like Huck was brutally murder.Huck becomes a runway child and now must beware of what he does, so that he does not get captured. Huck likewise tells people false aliases for himself o that nobody understands his real identity. Every time that he does this he is symbolically dying and reemerges a more experienced individual.

In The Catcher In The Rye, Holden also uses phony names, however Holden symbolically dies through fainting, changing the position of his red searching hat, and is associated with bathrooms.The bathroom theme, or the repeating appearance of a restroom, represents death for Holden since he goes into restrooms with an aberrant and practical state of mind and exits with a cleared mind. The use of symbolic death and concepts is associated with he Threshold Crossing, the second step of the Cosmogonic Cycle. The Roadway of Trials is the next step in the Cosmogonic Cycle, which are the challenges which the character faces throughout the literary work. In The Adventures of Huck Finn, Huck’s Roadway of Trials takes place on the Mississippi River.He deals with many challenges, including moral choices of right and wrong, handling con-artists, and helping a runaway servant. He promulgates more experienced from his journey down the river on his raft.

In The Catcher In The Rye, Holden’s Road of Trials takes from Pencey Prep to New York City. Holden handles his wn psychological hallucinations, cognative disotience, and his desire to remain innocence, his Peter Pan complex. The author does not end the novel with a delighted ending, from evaluating Holden’s experiences we can assume he emerges a more complete and understanding individual when he concerned the realization.The roadway of trials is the 3rd action of the Cosmogonic cycle in which the character or hero faces challenges or endeavors and ends up being more total and skilled. The Supreme Test or the Ultimate Test, is the forth action of the Cosmogonic Cycle where the character or hero is faced with a predicament of normous percentages, often discovered in the Zone of Magnified Power. The Zone of Magnified Power is discovered within the Zone Unidentified however is a place which has magical and strange powers, such as the Emerald City in The Wizard of Oz.Huck is faced with the moral circumstance of slavery throughout the entire book.

This test or question continues to arise lot of times throughout the book. Huck is torn in between best and wrong, in reality he practically turns Jim, the runaway slave, in throughout his quest on the river. In the end, Jim is captured and Huck decides to complimentary Jim by breaking him out of the confinement. In a sense Huck accomplishes his Supreme Test by doing what he feels is morally right. On the other hand, Holden’s Supreme Test is to accept growing up.He does not wish to grow up but takes in experience. The unique shows his predicament through the glass motif, the reoccurring presence of glass, glass being the sign through which one stops viewing through and experiences.

He consistently tries to remove the “f? k yous” written everywhere and comes to an awareness when he can’t erase one since it is out of his reach and behind the “glass.” The glass motif also appears when his bro, Allie, dies. When he is in the garage, he breaks the “glass” garage door windows, basically attempting to escape his anger.The consequence is that he ends up more baffled than before despite the fact that he now has an awareness. The Supreme Test is typically the peak of a literary work and the character or hero generally receives some type of benefit after being successful. The 5th and 6th parts of the Cosmogonic Cycle, the flight or flee and the return, can be combined into one circumstances. After the character finishes his barriers and Supreme Test, he is enabled to return to reality, the real life.

Huck and Holden are both social isfits and wish to escape civilization.Huck chooses to leave and “light out for the brand-new territory.” On the other hand, Holden has no place to “light out” to, due to the fact that the Twentieth Century America has no new territory, subsequently he is placed in a mental institute. The return home is the reinstitution to truth as a more experienced and whole person. William Wordsworth emphasizes in his “Ode to Intimations of Immortality From Recollections of Early Childhood,” utilizing the following lines: “Though nothing can restore the hour Of splendour in the grass, of glory in the flower; We will grieve not, rather findStrength in what stays behind;” That we must put our optimistic photo of the world behind us and should take a look at the world behind us and must take a look at it in a more realistic plane. Children have an innocent perception of the world around them, but as grownups we recognize the world is not black or white but different colors. The Cosmogonic Cycle can be compared to the transformation which a caterpillar goes through.

The caterpillar starts out innocent (black and white) and goes through phases or barriers to end up being a butterfly. The caterpillar emerges colorful along with more total and knowledgeable.

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