Composing Portfolio The 2001 biopic/drama movie ‘A Lovely Mind’, directed by Ron Howard is a prime example of a text in which visual and verbal strategies are used to develop the character of a character. An important job for the director of any film is to establish a structure and character for the protagonist. ‘A Gorgeous Mind’ is no different, and visual and verbal techniques are used successfully to establish the character of John Nash.
But due to the fact that Ron Howard is dealing with a really complex character in the type of a paranoid schizophrenic mathematician, his personality is permanently changing and the varying film techniques attain this. As this movie is a biopic/drama drawn into one, the audience follows Nash’s life over a number of years. Nash faces many difficult issues and the method he handles these scenarios are conveyed to the audience, using these movie techniques. Nash (who is represented by Russell Crowe) changes drastically throughout the text, since he struggles with paranoid schizophrenia.
Director Ron Howard uses the strategy of ‘characterisation’ to adapt his character in various ways. Throughout the text, the viewer is introduced to numerous ‘fictional characters’, who are in truth delusional figures produced by Nash. The first part of the ‘characterisation’ strategy is when director Ron Howard selects to present these characters. Typically injected at great times of tension for Nash, the delusion characters generally develop additional dispute between Nash and his reality buddies.
A crucial phase of the text is just after the climax, where Howard chooses to consist of and get rid of Nash’s best friend Charles (in the form of the star). Nash is preparing a bath for his infant child, while better half Alicia is outdoors tending to the cleaning outside. However because Nash suffers from schizophrenia, he is delusional and thinks his buddy Charles is watching the child. For the audience, all that is seen is the baby depending on the bath, sobbing it’s lungs out as water permeates over its head. Nash’s character is developed negatively in this scene. For the audience, Nash is developed adversely since of these misconceptions.
The deceptions put his baby children life at threat, and also trigger a more rift between Nash and his other half Alicia. In earlier scenes, Nash’s pal Charles remained in truth present to the audience in the type of the actor (represented by Paul Bettany). The effort to consist of the star in these earlier scenes is a quote by the director to develop the very same realism for Nash, when it comes to the audience. However in later scenes, the elimination of Bettany and other cast members changes the viewer’s point of view of this protagonist. As the actor is no longer present, the audience is required to side with Alicia in believing John Nash is delusional.
The audience here, is quickly able to pin point the affects that paranoid schizophrenia has on Nash, and other victims of that condition. Characterisation is necessary, as in these later scene his personality is changed into a really baffled guy. The confident, charming and intelligent John Nash of Princeton University is quickly transformed character due to the consisting of and removing of key characters. These crucial characters not only include Charles, however likewise his niece Marcee and Special Forces Operative William Pacher. Discussion is another method (this time spoken) which is essential in establishing the personality of character John Nash.
Director Ron Howeard opts to depict Nash as a conceited and scornful outsider in the opening scenes of the movie. Throughout these stages, discussion is essential to establish this personality. “There must be some mathematical formula for how bad that tie is”, Nash statesto a fellow student on his very first day at Princeton. While later on, he criticises his co-recipient scholarship winner Martin Hansen by announcing “There isn’t one seminal or innovative concept” in either of his pre-prints. These quotes are just two extracts of dialogue from the early scenes of the text which establish this big-headed and scornful character.
As the text continues and his issues with schizophrenia are established, the idea of Nash being an outsider is put in location. Another kind of dialogue is essential in the closing scenes of the text. Nash’s character has transformed remarkably from his more youthful days. In his senior years, he is back teaching at Princeton. Nash is a lot more mellow guy in these scenes and dialogue is once again utilized as a strategy to establish this personality. After being chosen for the Nobel Prize, Nash concludes throughout his reception speech. “Perhaps it’s excellent to have a stunning mind, however it’s an even higher gift to discover a lovely heart”.
This piece of discussion is essential in showing the more mellow character that Ron Howard selects to develop. In earlier scens, Nash is conceited, scornful and pre-occupied to resolve an innovative maths formula. Integrated with his schizophrenia, this results in Nash being considered an outsider. In these times, he is greatly supported by his other half Alicia, as she handles his mental disorder likewise. By Nash stating ‘an even higher present is to have a gorgeous heart”, proves that does determine the most essential thing in life, which is his household.
His everlasting love for Alicia and their son, is more vital than resolving mathematical solutions, and his dialogue re-iterates this changed personality. No longer is Nash a scornful outsider, and his fantastic love for Alicia (in which he again displays) is seen more favourably by the viewers of the text and develops a nicer character of Nash. All regard to Russell Crowe, who represents the life of a paranoid schizophrenic remarkably, it’s the vital visual and spoken methods executed by the director that execute this. Nash’s character is troubled and he exists as unsafe during the bath scene with his boy.
By the removal of stars playing the delusional characters in the movie, the audience is really able to see how disdurbed Nash is since of his illness. While the dialogue is unsed in the opening a clothing scenes to change Nash’s personality from an outsider, to a more open and caring male. Nash’s personality in the earlier scenes, is most likely associated with schizophrenia in basic. People who experience the disease are typically felt alone and compainionless. Ron Howard’s ability to truly show the personality of a PSD victim is important. In later on scenes, Nash is drastically altered and no longer scene as an outsider.
This changed character is the result of mindful and meaningful discussion in the test. This would relate to Nash being much softer in the closing scenes towards both his broad and the broader society he resides in. This re-iterates the importance of language methods and how they can be used to show a characters position amongst a community. Nash who in the start is developed as an outsider, ends up being a far more balanced male, involved in the Princeton neighborhood. Discussion is simply among these strategies used to develop the character of John Nash successfully.